La Crise est finie (1934)
Directed by Robert Siodmak

Comedy / Musical

Film Review

Abstract picture representing La Crise est finie (1934)
With the rise of Nazism, director Robert Siodmak left Germany in 1933 and moved to Paris, where he continued his filmmaking career for a few years before settling in Hollywood.  La Crise est finie is the second film he made in France, an effervescent musical comedy set against the backdrop of economic depression and political uncertainty, very similar to Mervyn LeRoy's Gold Diggers of 1933.  It is interesting that Siodmak manages to retain his expressionist style - which evokes the hardship and pessimism of the period - yet, at the same time, inject so much fun and energy, making this a joyously entertaining piece.  The film's stars are Albert Préjean and Danielle Darrieux, who would both have hugely successful film careers.  Darrieux, here in one of her earliest screen roles, radiates charm and vitality, and was a major contributor to the film's great success in France.
© James Travers 2006
The above content is owned by filmsdefrance.com and must not be copied.
Next Robert Siodmak film:
La Vie parisienne (1936)

Film Synopsis

A theatrical troupe is making a tour of the provinces when a bust up occurs.  Unable to tolerate the caprices of the leading lady, the rest of troupe decide to form a new group and head off for Paris to mount a show.  To their surprise, the roads of the capital are not paved with gold and, without any money, their dreams soon begin to fade.  Luckily, they find an empty theatre where they can live and rehearse for their new show.  With a little cunning and a certain amount of dishonesty, they acquire the materials they need to make the sets and costumes.  However, they still lack a piano.  The beautiful debutante Nicole spends an evening with the piano seller Monsieur Bernoullin, hoping he will give them a piano in exchange.  She doesn't know that her boyfriend, the troupe's musician Marcel, has already given him a cheque.  Unable to cash the cheque, Bernoullin refuses to deliver the piano, so another member of the troupe, Olga buys it with her savings.  Vexed, Bernoullin determines to prevent the show from going ahead.  To that end, he hires the theatre and intends converting it into a cinema.  The crisis is far from over...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Robert Siodmak
  • Script: Jacques Constant, Frederick Kohner, Max Kolpé, Frédéric Lohner (novel), Curt Siodmak (novel)
  • Cinematographer: Eugen Schüfftan
  • Music: Jean Lenoir, Franz Waxman
  • Cast: Albert Préjean (Marcel), Danielle Darrieux (Nicole), Marcel Carpentier (Bernouillin), Pedro Elviro (Hercule), Paul Velsa (Le machiniste), Paul Escoffier (Le manager), Milly Mathis (La gouvernante), Jeanne Marie-Laurent (La mère de Nicole), Régine Barry (Lola Garcin), Jane Loury (Mme Bernouillin), Suzanne Dehelly (Olga), René Lestelly (Alex), Alla Donell (Une girl), Wanda Barcella (Une girl), De Silva (Une girl), Sherry (Une girl), Véra Ossipova (Une girl), Adrienne Trenkel (Une girl), Mme. Wendler (Une girl), Jacques Beauvais (Le maître d'hôtel)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 74 min

The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright