Film Review
Like a treasured young nephew who has yet to discover the virtues of
soap and water and whose taste in music serves merely to awaken
an implausible appreciation for Stockhausen,
Là-bas... mon pays is one of
those strangely seductive films that you feel you should love but
somehow you just can't quite manage it. It may engage the
emotions, arouse the senses and tickle the intellect, but its
over-earnestness and tendency for caricature do invite a certain amount
of covert toe curling.
The film is not all bad - in fact, this is one of Alexandre Arcady's
better films, lacking the stylistic excesses, unconvincing performances
and flimsy dramatisation that have been so evident in much of his work
to date (none of which seems to have dented his popularity in
France). For one thing, it is extremely well photographed,
in a way that clearly delineates between the present and the past
(shown in flashbacks), making the narrative easier to follow
than might have been the case. The panoramic shots of the Algerian
capital and the surrounding countryside are stunningly beautiful and,
along with the evocative soundtrack, capture the essence of a country
that still evokes a palpable sense of the exotic.
The biggest surprise the film has to offer an unsuspecting audience is
a sensitive well-judged performance from Antoine de Caunes. The
onetime presenter of Eurotrash brings a welcome tone of sombre
introspection to offset some of the film's melodramatic excesses.
Another actor who defies our expectations is Samy Naceri, whose
restrained character performance in this film makes an astonishing
contrast with the ebullient persona seen in the
Taxi
films.
Là-bas... mon pays
offers a sobering portrait of a country that, thirty years after it
achieved independence from France, is still ill at ease with itself and
is riven by religious and political conflict, reeling from wounds
that refuse to heal. You can feel something of the anguish, the
despair and the desperation of the Algerian people through this film,
but, alas, this merely serves as background colour for an
unsatisfactory piece of melodrama which is perhaps just a little
too predictable.
© James Travers 2008
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Next Alexandre Arcady film:
Entre chiens et loups (2002)
Film Synopsis
French television journalist Pierre Nivel is surprised when, out of the
blue, he receives a phone call from an Algerian woman he has not seen
for thirty years. It was during the war of independence that
Pierre and his parents decided to leave Algeria and settle in France,
putting an end to Pierre's adolescent love affair with a girl named
Leïla, who chose to stay behind. Now, three decades
on, Leïla is imploring Pierre to return to Algeria to help her in
a period of crisis. Though his life may be in jeopardy,
Pierre realises he has no choice but to return to the country where he
was born. To his surprise, on his arrival Leïla refuses to
see him. Instead, she leaves him a message begging him to take
her daughter to France so that she can avoid being coerced into
marrying a gun-toting fundamentalist. Recalling what
Leïla once meant to him, Pierre feels compelled to carry out
her wishes, but getting her daughter out of Algeria proves to be no
easy task...
© James Travers
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