L'Incorrigible (1975)
Directed by Philippe de Broca

Comedy
aka: Incorrigible

Film Review

Abstract picture representing L'Incorrigible (1975)
L'Incorrigible was the fifth collaboration between director Philippe de Broca and French film star Jean-Paul Belmondo, who had previously enjoyed phenomenal success with such boisterous comedies as L'Homme de Rio (1964) and Le Magnifique (1973).  L'Incorrigible was to mark the end of this happy run of success - the actor-director relationship broke down during the making of this film, and de Broca himself was far from satisfied with the end result.

L'Incorrigible was envisaged as a mix of crime thriller and comedy (de Broca initially approached Lino Ventura to play the lead role but he turned it down).  However, thanks largely to Belmondo's influence, the humorous side took over and the quality of the film suffered massively as a result.   On the plus side, the film has some great comic moments and some cracking dialogue (if you ignore the sickeningly bad jokes about rape).  However, its uneven pacing and Belmondo's outrageously over-the-top performance are at times irritating and mar the experience somewhat.

Fortunately, the on-screen rapport between Belmondo and his co-stars (notably the magnificent Julien Guiomar and Geneviève Bujold) is pure gold and prevents the film from being entirely a one man show.  The film's highlights include: Belmondo turning up at the opera in top hat and cloak, Belmondo running across Paris in nothing but a sheet, Belmondo doing a side-splitting impression of Fernandel, and Belmondo trying to hold on to his dignity whilst dressed up as a transvestite in a red-light district of Paris.  It has to be seen to be believed.  Incorrigible just about sums it up.
© James Travers 2002
The above content is owned by frenchfilms.org and must not be copied.
Next Philippe de Broca film:
Tendre poulet (1978)

Film Synopsis

Within minutes of being released from prison, Victor Vautier resumes his career as a confidence trickster and crook.  An incorrigible liar and master of disguise, he rents his former girlfriend's luxury apartment to an American ambassador and sells non-existent military aircraft to an African state.   When things get too hot to handle, he sneaks back to his adopted uncle, Camille, who lives the life of a hermit in a caravan in a field.  Victor's life takes an unexpected turn for the better when he is assigned a parole officer, Marie-Charlotte.   Learning that Marie-Charlotte's father is the curator of a museum which holds a priceless El Greco triptych, the reclusive Camille sees a golden opportunity to obtain the money he needs to fulfil his life-long dream: to build a wall around the island of Mont St Michel...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Philippe de Broca
  • Script: Michel Audiard, Philippe de Broca, Alex Varoux (novel)
  • Cinematographer: Jean Penzer
  • Music: Georges Delerue
  • Cast: Jean-Paul Belmondo (Victor Vauthier), Geneviève Bujold (Marie-Charlotte Pontalec), Julien Guiomar (Camille), Charles Gérard (Raoul), Daniel Ceccaldi (Le préfet de police), Capucine (Hélène), Andréa Ferréol (Tatiana Negulesco), Michel Beaune (Le ministre), Albert Simono (M. Pontalec), Pascale Roberts (Adrienne), Maria Meriko (Mme Florinda), Dora Doll (Thérèse), Marc Dudicourt (Le gardien du ministère), Roger Riffard (Le second chauffeur de taxi), Maurice Travail (Le fonctionnaire des finances), Catherine Alric (Catherine), Maurice Auzel (Paula), Madeleine Barbulée (La dame-pipi), Philippe Brizard (L'expert en tableaux), Véronique Dancier (L'hôtesse du 'Plazza')
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 99 min
  • Aka: Incorrigible

The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright