L'Appartement (1996)
Directed by Gilles Mimouni

Comedy / Drama / Romance
aka: The Apartment

Film Review

Abstract picture representing L'Appartement (1996)
L'Appartement is the remarkable debut film from director Gilles Mimouni, an extraordinary, almost unique blend of thriller and romantic comedy which constantly has the spectator hooked and surprised.  The quality of the cinematography (which is at times breathtaking in its originality) and sublime acting performances make it a compelling work, easily earning its place as one of the best French films of the 1990s.

Despite the absurdity of the plot, which involves an improbable five-sided love triangle, L'Appartement is both an enjoyable and highly imaginative film.  Its narrative structure is an innovation in cinematic story-telling, weaving seemlessly between past and present.  The film is the cinematic equivalent of a jigsaw, the pieces represented by the differing persectives of its principal characters.  It is only at the end, when all the fragments come together in a shattering climax, that we see the whole picture and understand what has gone before.  It is an approach which works brilliantly, although it creates an excruciating sense of tension and suspense.  The film constantly teases the audience by doing the opposite to what you expect.   Even the great Hitchcock could probably learn a thing or two from this film, which is clearly influenced by his work.

Vincent Cassel and Romane Bohringer lead a very strong cast, both giving very creditable and intense performances, and the stunning Monica Belluci was nominated for a César in 1997.  The film won the Best Foreign Independent Film at the British Independent Film Awards in 1998.
© James Travers 2001
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

Max is about to set off for Tokyo, where he intends to get married to his fiancé and start a promising executive career.   Quite by chance, he overhears the voice of a former girlfriend, Lisa, in a café.  Recalling the time they spent together a few years ago, Max becomes obsessed with meeting her again.  He tracks her down to her apartment, and hides there.  Instead of Lisa, he finds another girl in the apartment.  She says her name is Lisa and Max immediately concludes he has been pursuing the wrong girl.  But in the wardrobe he finds a pair of red shoes which he gave to his Lisa just before they were separated...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Gilles Mimouni
  • Script: Gilles Mimouni
  • Cinematographer: Thierry Arbogast
  • Music: Peter Chase
  • Cast: Romane Bohringer (Alice), Vincent Cassel (Max Mayer), Jean-Philippe Écoffey (Lucien), Monica Bellucci (Lisa), Sandrine Kiberlain (Muriel), Olivier Granier (Daniel), Paul Pavel (Jeweller), Nelly Alard (Madeleine), Bruno Leonelli (Alain Beccaria), Tateo Isaizaki (Japanese Businessman), Tsuyu Shimizu (Japanese Interpreter), Ricardo Mateo (Cafe Waiter), Vincent Nemeth (Barman), Bruno Fernández Vella (Video Technician), Juan Carlos Martín Alonso (Video Technician), Claude Hirch (Video Technician), Hervé Jakubowicz (Video Sales), Oury Milshtein (Receptionist), Roger Patrice Bernard (Room Service), Vanessa Soboul (Josiane)
  • Country: France / Spain / Italy
  • Language: French / English / Japanese
  • Support: Color
  • Runtime: 116 min
  • Aka: The Apartment

The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright