Film Review
At first sight,
L'Antidote, the debut film from director Vincent
De Brus, resembles the traditional French 'anti-buddy' comedy
in which two chalk-and-cheese characters are forced together into a union neither wants
but which neither can escape from (the best example being Pierre Richard and
Gerard Depardieu in
La Chèvre (1981)).
But, going by the film's over-exuberant visual style and puerile
attempts at humour, it looks like a comicbook adaptation aimed at
undiscerning teenagers. Judging from the barrage of negative press the film has received,
it looks as if this combination had very limited appeal.
Aside from the painful mismatch between content and style, the main reason why the
film doesn't quite work is a lacklustre, cliché-loaded script which brings together
an implausible narrative, the most ludicrous comic book villains and jokes that are just
too apparent and self-conscious to be funny - most of the gags just bounce back like ricocheting
bullets. This is a shame, because the film does touch on some very serious themes
- the extent to which large corporations are wiping out small private enterprises, and
the contemptuous way in which small shareholders are treated by large companies.
The film does little other than to remind us that, thanks to the rampant beast that is
globalisation, the individual is increasingly a very small fish in a tank inhabited by
some very hungry corporate piranhas.
What makes the film worth watching, despite
its inescapable defects, is the surprisingly effective Clavier-Villeret double act.
Whilst it may not be as memorable or as successful as other famous French film partnerships
(such as Bourvil and Louis de Funès or Gérard Depardieu and Pierre Richard),
there is a definite rapport between the two actors which does allow for some great comedy.
Clavier is almost as good as he was in
Les Visiteurs (1993) and manages to extort
some humour from some very trite material. However, he is almost eclipsed
by Jacques Villeret, who calls to mind his memorable appearance in
Le Dîner de cons (1998). Once
again, Villeret plays the likeable innocent who gets drawn into a bizarre game of intrigue,
and once again he gives great value for money. Tragically, the actor died just over
a month before the film was released, aged 53 - a great loss to French cinema.
© James Travers 2007
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Jacques-Alain Marty is the head of Vladis Entreprises, one of the largest conglomerates
in France. His success is compromised by frequent anxiety attacks that cause him
to sweat and muddle his words. One day, he meets André Morin, a shareholder
in his company, in whose presence his anxiety attacks completely vanish. Realising
that Morin is the antidote for his inexplicable condition, Jacques-Alain engages him as
his personal assistant and moves him into his palatial house, to the bewilderment of his
wife. Whilst the morally incorruptible Morin is hardly the most suitable hireling
for a corporate giant of Marty's stature, he proves to be surprisingly useful...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.