Philippe Faucon's portrait of adolescence is filmed with a striking realism which manages
to convey some sense of the vulnerability and vitality of those harrowing yet precious
teenage years. With a cast of non-professional actors, filmed in daringly naturalistic
way, Faucon comes as close as he probably can to making a convincing film about adolescence
without it being a documentary. Whilst Faucon is to be credited on his unusual cinematic
approach, the film places great demands on its audience. With so many characters, none
of whom is explored in any great detail, the film does appear a tad superficial and aimless.
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Film Synopsis
As their summer holidays draw to a close, the thoughts of a disparate collection
of teenagers in the suburbs of Paris turn to love. With adulthood just
over the horizon, they find it is hard to resist the allure of love, but
whilst some are looking for some no-strings fun, others are hoping to find
something much more meaningful. The indecisive Sandrine finds herself
in a quandary, torn between her present boyfriend Didier and another lad,
Joel, whose quiet charm is strangely appealing. Meaningful long-term
relationships are definitely not what Riri, Alex and Paulo have in mind.
They just want to chat up members of the opposite sex and have a good time
- unfortunately, they are lamentably bad at it and have a great deal to learn
about the female psyche...
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.