Film Review
One of director Claude Berri's few digressions into the realm of
sentimental drama,
Je vous aime
is distinguished by its stellar cast and its honest portrayal of the
transience of human relationships. In its day, the film was quite
controversial, although it is essentially no more than an updated
version of Flaubert's novel
Madame
Bovary, challenging the desirability and viability of long-term
relationships, whilst exposing the pain and tragedy that the
alternative offers.
In one of her most perfectly calibrated performances, Catherine Deneuve
offers a convincing portrayal of a woman who is tormented by her
emotional integrity, refusing to conform to the bourgeois dictat that
she should stay with a man she has ceased to love. The
character Alice has some similarity with Deneuve herself and you can't
help but wonder on the extent to which the actress drew on her own
experiences in achieving such an authentic characterisation.
There is a poignancy in Deneuve's interpretation that cuts much deeper
than most of her other screen portrayals, revealing a heart-rending
fragility coupled with an extraordinary strength of character.
Although the performances are beyond reproach (the chemistry between
Deneuve and Gainsbourg is particularly remarkable), the film's
languorous pace and jumbled narrative structure (which relies on nested
flashbacks to a dizzying degree) prevent it from having quite the
impact it merits. Berri's direction lacks the assurance of his
subsequent films (which include the superlative
Jean
de Florette) and there are times when the film feels like a
train stuck in a tunnel. The flashback structure, which
could have worked well if handled more deftly, does little to mask the
flimsiness of the narrative and the banality of the dialogue, and all
it really achieves is to weaken the film's coherence.
Fortunately, such is the power and exquisite charm of Deneuve's
presence that the film not only holds together but also triggers the
appropriate emotional responses.
Je vous aime is far from perfect
but it manages to be an engaging film, a thought-provoking reflection on
the tragically ephemeral nature of love.
© James Travers 2010
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Next Claude Berri film:
Le Maître d'école (1981)
Film Synopsis
After breaking up with her latest boyfriend, Alice looks back on her
life and remembers her past loves. Although she is still only in
her mid-thirties, Alice has had many partners, all of whom she has
loved intensely, for a while. There was Simon, a
temperamental singer-songwriter, who helped her to rear her son
Jérôme. When this relationship turned sour she
switched her affections to a young saxophonist, Patrick, with whom she
had a daughter. Then Julien, a prosperous travel agent, entered
her life, only to be supplanted by Claude, a bookseller. For
Alice, love is like a flower which lasts only a short time and is soon
gone, although the fragrance lingers...
© James Travers
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