Film Review
Possibly the best film to come out of the immensely successful
partnership of Sidney Gilliat and Frank Launder is this mischievously
tongue-in-cheek thriller whodunit featuring some of the best British
actors of its time. It's a classic of its kind, benefiting from
an ingenious plot, well developed characters, and a mood that is keenly
evocative of England during WWII - a film that will appeal to any
aficionado of Agatha Christie-style murder mysteries.
Wilkie Cooper's high art cinematography, most probably influenced by
American film noir, gives the film its tense, highly charged
atmosphere, lending a sinister dreamlike character to several of its
more disturbing passages. Most memorable is the chilling
build up to the second murder, which uses some stylish expressionistic
camerawork to heighten the tension and convey the escalating terror of
the victim, in a way that even Alfred Hitchcock would have been hard
pressed to improve on. A propos, Gilliat and Launder had
earlier written the screenplay for the Hitchcock classic
The
Lady Vanishes (1938).
Without a shadow of a doubt,
Green
for Danger's biggest attraction is Alastair Sim, who, as
Scotland Yard's most whimsical police inspector, gives what has to be
one of the finest performances of a very distinguished career.
His Inspector Cockrill is a wonderful concoction of charm, sly cunning
and hapless ineptitude, part authority figure, part clown, somewhere
between Hercule Poirot and Inspecteur Clouseau. There are some
impressive contributions from the rest of the cast - particularly
Rosamund John, Trevor Howard, Sally Gray and Judy Campbell (the mother
of Jane Birkin) - but it is Alastair Sim who is the star. He
seizes the focus from the moment he first appears on the screen and
never lets it go for a second as he sleuths his way to the bottom of a
mystery that would have left Sherlock Holmes chewing disconsolately on his fourth pipe.
© James Travers 2008
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Next Sidney Gilliat film:
The Great St. Trinian's Train Robbery (1966)
Film Synopsis
August 1944. A postman injured in a V1 bombardment of southern
England dies during an operation at a country hospital. No one
takes seriously the suggestion that foul play is involved until a
second murder is committed. Nurse Bates is stabbed to death
shortly after dramatically announcing that she knows who killed the
postman. Inspector Cockrill relishes the opportunity of
solving the mystery, but soon discovers that everyone present at the
first murder had a motive, and that the killer is quite prepared to
strike again...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.