Gaspard et Robinson (1990)
Directed by Tony Gatlif

Comedy / Drama

Film Review

Abstract picture representing Gaspard et Robinson (1990)
This bittersweet comedy makes a poignant statement about the importance of friendship and family in an increasingly fragmented society.   Beautifully filmed, with an attractive score from Michel Legrand, this is a film which appeals perhaps more to the senses than to the intellect.  The on-screen rapport between Gérard Darmon and Vincent Lindon is both touching and entertaining, and each of their characters is well-drawn and believable.   There are also some great comic moments in the film, although such comedy is used sparingly.  The main fault with the film is that there is really very little in the way of plot or character development and the film drags painfully in places, apprently having lost sight of where it is heading.
© James Travers 2002
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Although temperamentally very different, Gaspard and Robinson have become the closest of friends.  After his wife walked out on him on hearing that he had lost his job, Gaspard found his recurring bouts of depression hard to cope with, until the happy day when he met Robinson.  Even though his parents abandoned him when he was a small boy, the latter has an unerring knack of looking on the bright side of life.  As they wander around Marseille, the two friends agree to open a beach café on the barren salt marshes.  One day, Robinson takes pity on an old woman looking lost and abandoned by the side of a road and invites her back to his home.  Gaspard isn't exactly overjoyed when his buddy suggests they should allow the strange old woman to stay with them...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Tony Gatlif
  • Script: Tony Gatlif, Marie-Hélène Rudel
  • Cinematographer: Dominique Chapuis
  • Music: Michel Legrand
  • Cast: Gérard Darmon (Gaspard), Vincent Lindon (Robinson), Suzanne Flon (Mamie), Bénédicte Loyen (Rose), Charlotte Girault (Eve), Stefany Escudero (Suzy), Christian Gazio (Homme Abandon), Rolande Bouchet (Femme Abandon), Julien Bukowski (Homme), Roselyne Vuillaume (Femme), Antonio Cauchois (Patron), Anne Haybel (Patronne), Anna Gladysek (Marie-Louise), Michel Stefanni (L'Homme nu), Alexandre Legallic (L'Homme du camion)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 93 min

The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright