Forbidden (1932)
Directed by Frank Capra

Drama / Romance

Film Review

Abstract picture representing Forbidden (1932)
Frank Capra's third collaboration with rising star Barbara Stanwyck is generally considered his weakest and is often dismissed as a poor quality woman's picture.  The film does have its faults - the most apparent being its trite and horribly contrived plot - but it also has many good points.    First and foremost there are some fine performances.  Stanwyck, whilst not at her best, gives a sympathetic portrayal of a woman who is driven to sacrifice herself to save the man she loves.  Adolphe Menjou conveys the guilt and hopelessness of a man who, through societal constraints and personal ambition, ruins not only his own life but that of the person most dearest to him.  And Ralph Bellamy is convincing as an odious self-serving newspaper hack, who is keen to marry but who has no idea what love really is.

Whilst writing the screenplay for this film (a loose adaptation of Fannie Hurst's novel Back Street), Capra was almost certainly influenced by his own experiences.  The love triangle depicted in the film had its real-life equivalent involving Capra, Stanwyck and the latter's unsympathetic husband Frank Fay, a vaudeville comic who had become violently resentful of his wife's success.  Fay caused ructions when he visited the set, increasing tensions between Capra and his leading lady.  Capra even proposed to Stanwyck, but the actress turned him down and stuck with her increasingly sadomasochistic marriage until 1935.

Forbidden is far from being Frank Capra's best film, but despite its flaws it does have an immense emotional power, which comes partly from the performances, but also from Joseph Walker's moody chiaroscuro cinematography.  Yes, the story is far-fetched and egregiously over-sentimental in places, but there are some moments of genuine heart-wrenching poignancy.  Who can fail to be moved by the sequence in which Lulu is driven to give up her child, condemning herself to a life of barren solitude?  It's pure soap, perhaps not as effective at jerking the tears as some of the later Hollywood classic weepies, but still quite moving.  However, the main reason for watching this and other early Capra films is to see the director developing his technique, in preparation for the timeless masterpieces that would follow.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Frank Capra film:
The Bitter Tea of General Yen (1933)

Film Synopsis

Tired of her life as a dowdy spinster librarian in a dull provincial town, Lulu Smith withdraws all her savings from her bank and books a luxury cruise to Havana.  She hopes to catch a man who will whisk her off her feet and make her his wife.  Sure enough, she does meet a man, a lawyer named Bob Grover, with whom she falls passionately in love, even if he is several years her senior.  The holiday over, Lulu returns to her humdrum life and is delighted when Bob shows up one day and says that she is the love of his life.  But then Bob makes a terrible revelation.  He is already married and is no position to divorce his wife.  Devastated by this news, Lulu insists that Bob stays away from her.  She even changes her address and her job so that he cannot find her.  Some months later, Lulu learns that she is pregnant with Bob's child.  When, five years later, Bob discovers that he has a daughter, Lulu has no choice but to hand the infant over to him.  Bob tells his wife that he found the child through an adoption agency.  The years pass, and Bob's career progresses in leaps and bounds and he looks set to become the state governor.  Meanwhile, Lulu is pursued by newspaper editor Al Holland, who is determined to marry her.  When she learns that Al is looking for dirt to ruin Bob's reputation, Lulu finally agrees to marry him, hoping that she can save her former lover.  She hasn't banked on Al's ruthlessness...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Frank Capra
  • Script: Frank Capra (story), Jo Swerling
  • Cinematographer: Joseph Walker
  • Cast: Barbara Stanwyck (Lulu), Adolphe Menjou (Bob), Ralph Bellamy (Holland), Dorothy Peterson (Helen), Thomas Jefferson (Wilkinson), Myrna Fresholt (Roberta - Baby), Charlotte Henry (Roberta - Age 18), Oliver Eckhardt (Briggs), Henry Armetta (Emile), Jessie Arnold (Nurse), Wilson Benge (Grover's Butler), Roger Byrne (Office Boy), Nora Cecil (Chambermaid on Phone), Jack Chefe (Havana Gambling House Waiter), Lynn Compton (Halloween Child), Larry Dolan (Halloween Child), Bill Elliott (Reporter), Mary Jo Ellis (Roberta - Age 12), Bess Flowers (Gambler in Havana), Robert Graves (Mr. Eckner)
  • Country: USA
  • Language: English / French
  • Support: Black and White
  • Runtime: 83 min

French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright