Film Review
After
Les Liaisons dangereuses, film
director Roger Vladimir Plemiannikov, better known as Roger Vadim, made
Et mourir de plaisir, a horror
movie adapted in all its splendour from the novel
Carmilla written in 1872 by the
Irish writer Joseph Sheridan le Fanu, transposed to the 1960s.
This Franco-Italian production came out in cinemas on the 14th
September 1960 and has a spectacular location, Hadrian's villa in the
splendid Italian countryside. The film is photographed by Claude
Renoir in ravishing colour and black and white and has an exquisite
score by Jean Prodomires featuring the rarely used Irish Harp.
Better known for his great taste in woman (Brigitte Bardot, Catherine
Deneuve, Jane Fonda) than for his filmmaking talents, Vadim's cast is
an interesting combination of international stars. Christopher
Lee was considered for the role of Count Karnestein but the part went
to his friend Mel Ferrer. The lead female role went to the Italian actress Elsa Martinelli, a
familiar face beside actors such as Kirk Dougla, Robert Hossein,
Bourvil, Orson Welles, John Wayne and Jean Marais. Ferrer and
Martinelli have a wonderful chemistry together and the supporting
actors are perfectly chosen - the one who steals the show is the
gorgeous Danish actress Annette Stroyberg, who became Annette Vadim
when she married the director after making the film. Stroyberg's
performance is a mysterious combination of detachment, passivity and
childlike felicity; the actress totally brings her character to life
(not that this should be too difficult for a vampire...). In a
small part, we recognise French film director Marc Allégret, who
had given Vadim an early start when he engaged him as his assistant.
Let's not beat about the bush - Vadim's direction fails to get the full
potential out of the story and there are a couple of jarring moments
that don't sit right. Of course, romance and vampires were an
unusual mix at the time in French cinema but still the plot shows more
eroticism than horror and the vampire themes are more soft-focus and
soft-core in intent. Nevertheless, Vadim's adaptation is a dark
and tragic story with a gentle Gothic atmosphere, an enchanting and
harrowing piece of work which is occasionally compulsive with some
undeniably striking shots.
At the time, the film was criticised for some sequences involving
Martinelli and Stroyberg on account of their freely erotic lesbian
character, although Vadim responded by saying this was merely an
expression of Carmilla's predilection for female victims.
Et mourir de plaisir is a rare
incursion by French cinema into a universe which belonged almost
exclusively to the British and Americans. Sadly, the film is
currently only available as a bad VHS print which doesn't show its full
Technicolor glory. Hopefully one day Paramount will release this
unknown gem on DVD or Blu-ray with its gorgeous visuals as Vadim
intended.
© Willems Henri (Brussels, Belgium) 2012
The above content is owned by filmsdefrance.com and must not be copied.
Next Roger Vadim film:
La Bride sur le cou (1961)
Film Synopsis
Carmilla von Karstein is both fascinated and perturbed when she hears that
a forebear of hers, Millarca, narrowly escaped the fate reserved for vampires:
a stake through the heart. She is enjoying herself at a lavish party
given by her cousin Leopoldo to mark his engagement to Georgia Monteverdi
when a nearby abbey is struck by an inexplicable explosion. Unable
to contain her curiosity, Carmilla enters the ancient building and finds
a secret passage, which leads to a tomb containing the mortal remains of
her famous ancestor, Millarca.
It is not long afterwards that Carmilla's entourage notices a strange and
profoundly worrying change in her behaviour. Her cousin Leopoldo's
suspicions that she has been corrupted by evil appear to be confirmed when
the dead body of a peasant girl is found, with the mark of the vampire upon
her. Carmilla's next victim is her cousin's fiancée, whom she
visits when she is sleeping. When she awakes after a terrible nightmare,
Georgia is horrified to find there is a small bite on her neck. It
seems that the vampire has returned, reborn in Carmilla...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.