Stéphan Guérin-Tillié makes a promising
directorial debut with this deeply unsettling melange of jet-black
comedy and suspense thriller. The main attraction is the casting
of heavyweights François Berléand and Philippe Noiret
(the latter in one of his last roles), who bring an intensity and
subtle streak of subversive humour to what might otherwise have been a
pretty bland affair. The film is imaginatively shot and is
sufficiently weird to hold our attention, but the story feels
hopelessly fragmented, lacking both cohesion and credibility.
Whilst Edy is far from
perfect, its director certainly makes an impression and has been
likened to a new Tarantino.
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Film Synopsis
The joie de vivre has definitely gone out of Edy's life. He has made
a successful career for himself as an insurance agent, but as his retirement
comes ever nearer he finds he has less and less enthusiasm for his work.
In the end he decides that he cannot go on. Life is too boring to bother
with any more. So, resolved to end it all, he kidnaps one of his clients
and drives him to an out-of-the-way sand pit. Edy then hands his bewildered
client a gun and tells him to shoot. Then - catastrophe. How
could such a simple plan go so badly wrong? To add to his woes, Edy
now finds he is stuck with a dead body which he has to somehow get rid of.
Panic-stricken, he looks up his old friend Louis and is not encouraged by
the advice he is offered. To save himself, it seems that Edy must now
find the wife of the dead man and kill her. Fate is now having a jolly
good laugh at poor Edy's expense...
Cast:François Berléand (Edy Saïovici),
Philippe Noiret (Louis),
Yves Verhoeven (L'inspecteur),
Laurent Bateau (Le guignol),
Marion Cotillard (Céline),
Sophie Nollet (Femme Pingeot),
Pascal Parmentier (Le voisin énervé),
Cyrille Thouvenin (Antoine)
Country: France
Language: French
Support: Color
Runtime: 101 min
The greatest French film directors
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.