Derrière la façade (1939)
Directed by Georges Lacombe, Yves Mirande

Crime / Comedy / Drama

Film Review

Abstract picture representing Derriere la facade (1939)
An extraordinary array of stars are assembled for this quirky murder mystery, which was directed by the talented and popular filmmakers Georges Lacombe and Yves Mirande.  The film is less a conventional whodunit and more a witty and incisive examination of the moral deficiencies of the middle classes.  Adultery, prostitution, fraud, theft, hypocrisy, abuse of women by men, manipulation of men by women - almost every conceivable flaw of the Bourgeois milieu is picked up and beautifully caricaturised in this piece of high class satire.

As the bungling police inspectors Boucheron and Baumer pursue their investigation, we are treated to a series of well-crafted vignettes which alternate between tragic poignancy, high drama and outright farce, each with some sparkling performances.  Michel Simon and André Lefaur make a hilarious duo as the knife thrower and kleptomaniac; Erich von Stroheim is genuinely chilling as he spars with his card playing rival; and there are some equally pleasing contributions from the magnificent Jules Berry, Marguerite Moreno and Gabrielle Dorziat.  Ultimately, the film belongs to Lucien Baroux and Jacques Baumer, whose portrayal of a pair of rival policemen (a bit like Sam Spade competing with Commissaire Maigret) makes a refreshing change from the conventional all-to-perfect crime-investigating hero.

All in all, Derrière la façade is a superlative example of 1930s French cinema - a film that uses a popular genre (the comedy thriller) as a vehicle for a “no holds barred” assault on the Bourgeoisie.  Well written, well constructed, and with some exquisite moments of poignancy and comedy, it is both an intelligent critique of its time and hugely entertaining piece of escapist fun. The film could hardly be more different from the gloomier dramas that are more typical of Georges Lacombe's work, stylish works that include Le Dernier des six (1941), Le Pays sans étoiles (1946) and La Nuit est mon royaume (1951).
© James Travers 2004
The above content is owned by filmsdefrance.com and must not be copied.
Next Georges Lacombe film:
Les Musiciens du ciel (1940)

Film Synopsis

Two rival police inspectors, Boucheron and Baumer, investigate the murder of the owner of a well-to-do apartment block.  Madame Mathieu has been found stabbed to death in the lift, and there is no shortage of suspects.  The murder weapon is a knife which belongs to a resident knife thrower, Picking, and which is found in the room of a kleptomaniac, Corbeau.  No sooner have these two suspects been arrested than a young bank clerk, André, confesses - not to the murder but to defrauding his employer.  Could the murderer be the sinister Eric, who is revealing his nasty character during a game of cards?  Could it be the unscrupulous Alfredo, a classy crook who abuses women?  Or could it be the son of the respectable Président Bernier, eager to repay his father for having a mistress?  As they delve deeper into the private lives of the dead woman's tenants, Boucheron and Baumer make more than a few surprising discoveries.  But will they solve the crime..?
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Georges Lacombe, Yves Mirande
  • Script: Yves Mirande, Georges Lacombe, Max Kolpé
  • Cinematographer: Victor Arménise, Robert Juillard
  • Music: André Gailhard
  • Cast: Lucien Baroux (Le commissaire Boucheron), Jules Berry (Alfrédo D'Avila), André Lefaur (Corbeau), Gaby Morlay (Gaby), Elvire Popesco (Madame Rameau), Michel Simon (Picking), Betty Stockfeld (L'anglaise), Erich von Stroheim (Eric), Simone Berriau (Lydia), Missia (Joséphine Picking), Raymond Segard (Robert Bernier), Marcel Orluc (Gérard Bernier), Jean Daurand (Le télégraphiste), Elmire Vautier (Marie), Lina Darwils (Une locataire), Robert Ozanne (Le brigadier), Claude Sainval (Le gigolo de Gaby), Raymone (La bonne de Madame Mathieu), Joffre (Monsieur Martin), Lise Courbet (Paulette)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 85 min

The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright