The best thing about this tepid melodrama is its stunning
photography of the Swiss Alps setting. The production team fails
to endow the film's fairytale-like storyline with much
in the way of charm or poetry, and for the most part the film is
let down by a weak script and some pretty unconvincing acting.
Bruno Cremer (now known as French television's best Maigret) does
what he can to live the film above the mediocre, but engaging
though his performance is, the mediocre script does little to
make his character more than a vague archetype. Langourous and
at times unbearably static, Derborence does at least
reward with the sublime quality of its cinematography.
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Film Synopsis
Thérèse could not be happier when Antoine, an alpine farmer,
agreed to take her as his wife. The couple have been married only a
few months before disaster strikes. By now, Thérèse is
used to her husband being away from home for days at a time, but it has been
two weeks since he set off up the steep mountain slopes in the company of
his aged friend Séraphin. Thérèse's fears for
her husband's safety turn out to be amply justified. Caught in a massive
avalanche, Antoine and Séraphin will almost certainly have perished
under a mass of fallen rock. This news is badly received by Thérèse,
made worse by the fact that she has just learned she is pregnant. The
weeks that follow are unbearable and Thérèse wonders how she
is going to cope. Then, without any forewarning, Antoine suddenly reappears
after an absence of two months. He appears to be unharmed but he is
badly shaken by the disappearance of his old friend. Antoine reasons
that because he was spared by the avalanche, then Séraphin must also
still be alive. Without delay, and ignoring his wife's concerns, the
farmer begins his frantic search to find his friend...
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.