Damage (1992)
Directed by Louis Malle

Drama / Romance

Film Review

Abstract picture representing Damage (1992)
The familiar theme of the tragic love triangle, a mainstay of French cinema for many decades, provides the basis for this dark study in desire and obsession.   The film is adapted from a novel by Josephine Hart and features some remarkable performances, notably from Jeremy Irons, Juliette Binoche and Miranda Richardson (the latter of whom was nominated for an Oscar for her supporting role). The film was the last but one to be directed by Louis Malle, a contemporary of the French New Wave whose work includes such diverse films as Ascenseur pour l'échafaud (1958), Pretty Baby (1978) and Au revoir, les enfants (1987).

Malle's decision to make the film in English with a cast of top-notch British actors (plus Juliette Binoche), is not surprising as he had spent most of the past decade making films in America. Damage is a film that is as unsettling as it is compelling, although this clinically cold narrative style robs the film of any humanity and weakens the characterisation.  With a less impressive cast, the film, with its wooden script and overly sign-posted tragic conclusion, would probably appear absurd.  It is thanks largely to the enigmatic and brooding performances of its lead actors that the film manages to hold its audience and transcend its obvious structural and artistic weaknesses.

© James Travers 2000
The above content is owned by filmsdefrance.com and must not be copied.
Next Louis Malle film:
Vanya on 42nd Street (1994)

Film Synopsis

At a social engagement, a rising member of Parliament, Stephen Fleming, meets a mysterious but stunningly attractive art expert, Anna Barton.  Immediately, Stephen becomes obsessed with an uncontrollable passion for the strange young woman, even after he has learnt that she is the girlfriend of his own son, Martyn.   When Stephen finds out about Anna's tragic past, he is more determined than ever to be with her.  The two lovers carry on a secret affair, snatching a few hours each week to spend together.  Whilst Anna is content with this arrangement, Stephen is not: he wants to leave his own wife to live with his mistress.  Anna refuses, and a short time later Stephen hears the news that she is going to be married - to Martyn...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Louis Malle
  • Script: David Hare, Josephine Hart (novel)
  • Cinematographer: Peter Biziou
  • Music: Zbigniew Preisner
  • Cast: Jeremy Irons (Dr. Stephen Fleming), Juliette Binoche (Anna Barton), Miranda Richardson (Ingrid Fleming), Rupert Graves (Martyn Fleming), Ian Bannen (Edward Lloyd), Peter Stormare (Peter Wetzler), Gemma Clarke (Sally Fleming), Julian Fellowes (Donald Lyndsay, MP), Leslie Caron (Elizabeth Prideaux), Tony Doyle (Prime Minister), Ray Gravell (Raymond), Susan Engel (Miss Snow), David Thewlis (Detective), Benjamin Whitrow (Civil Servant), Jeff Nuttall (Trevor Leigh Davies MP), Roger Llewellyn (Palmer), Jason Morell (Young Man at Sotheby's), Barry Stearn (Prime Minister's Aide), Linda Delapena (Beth), Francine Stock (TV Interviewer)
  • Country: UK / France
  • Language: English / French / German / Italian
  • Support: Color
  • Runtime: 111 min

The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright