Conte d'hiver (1992)
Directed by Eric Rohmer

Comedy / Drama
aka: A Winter's Tale

Film Review

Abstract picture representing Conte d'hiver (1992)
Following on from Conte de printemps (1990), the second of four films in Rohmer's Four Seasons cycle, Conte d'hiver is a fine example of post-New Wave French romantic cinema.  It illustrates perfectly Rohmer's gift for telling a simple story in an effective and moving way, with believable characters in everyday situations.

As in many of Rohmer's films, there is a much greater emphasis on dialogue than on action.   However, the dialogue is so natural, intelligent and insightful that the film maintains a balanced momentum throughout and never appears slow or stilted.  Rohmer manages to achieve this because his characters - particularly Félicie - are so naturally articulate and expressive, offering a clear insight into their mood and innermost thoughts.

We quickly get to know the characters, to the extent that we can almost predict their behaviour and responses - not because the film is necessarily predictable, but because we understand the characters so well.  This is a reflection of Rohmer's excellent writing as well as some fine acting performances.

The only thing that mars the film - or, at least, appears grossly unsubtle - is the lengthy scene where the characters Félicie and Loïc watch a theatre performance of Shakespeare's play A Winter's Tale.  In an earlier scene, Loïc already explained the plot in sufficient detail to allow us to make the connection between Félicie's love story and Shakespeare's play.  Having then to sit through this protracted piece of Shakespearean theatre feels at best unnecessary, at worst indulgent on the part of Rohmer.  Far from reinforcing the parallels it unnecessarily stalls the plot and creates a false expectation that the film is going to have a fairy tale ending.

However, that is a very minor fault in an otherwise near-perfect piece of French cinema from a popular and unceasingly perceptive film maker.  After this film you feel duty-bound to watch the other next two instalments in the Four Seasons cycle, Conte d'été (1996) and Conte d'automne (1998).
© James Travers 2001
The above content is owned by filmsdefrance.com and must not be copied.
Next Eric Rohmer film:
L'Arbre, le maire et la médiathèque (1993)

Film Synopsis

During a summer holiday, Félicie and Charles meet and have a whirlwind romance.  Due to a mix-up with their addresses, they lose track of one another, even though Félicie is carrying Charles' child.  Five years later, Félicie is working in Paris as a hairdresser for Maxence, who is in love with her and who wants her to move with him to open a new salon in Nevers.  She is also loved by a young librarian Loïc, but Félicie still clings to her first love, Charles, even though the chance of her meeting him again is remote...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Eric Rohmer
  • Script: Eric Rohmer
  • Cinematographer: Luc Pagès
  • Music: Sébastien Erms
  • Cast: Charlotte Véry (Félicie), Frédéric van den Driessche (Charles), Michel Voletti (Maxence), Hervé Furic (Loïc), Ava Loraschi (Elise), Christiane Desbois (Mother), Rosette (Sister), Jean-Luc Revol (Brother-in-Law), Haydée Caillot (Edwige), Jean-Claude Biette (Quentin), Marie Rivière (Dora), Claudine Paringaux (Customer), Roger Dumas (Léontès), Danièle Lebrun (Paulina), Diane Lepvrier (Hermione), Edwige Navarro (Perdita), François Rauscher (Florizel), Daniel Tarrare (Polyxènes), Eric Wapler (Lord), Gaston Richard (Lord)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 114 min
  • Aka: A Winter's Tale ; A Tale of Winter

The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright