Film Review
With this visually stunning and highly evocative depiction of life in a remote outpost
of the dwindling French empire, Claire Denis established herself as one of the most influential
directors of her generation. Her first film, it is probably her most personal, drawing
on her own experiences and her intense love of the Dark Continent. It is a stark
and lyrical film that anticipates her subsequent achievements,
Beau travail (1999) and
White Material (2010).
The most powerful aspect of the film is the way it manages to capture the suppressed humiliation
and frustration of the African servant boy, Protée, capably played by Isaach De
Bankolé. Intentionally or not, this provides a stark metaphor for the ignominy
that the French colonists inflicted on the African natives and belies the frustrated pride
that is such a strong part of the African psyche.
Although there is much to commend in this film, its lack of strong narrative and strong
central characters could be off-putting to many cinema-goers unfamiliar with Denis' style
of cinema. The film can best be thought of as a leisurely, unhurried jeep ride through
the African countryside, to a time when racial attitudes were very different to our own.
The film does not go out of its way to shock us, but we are gently reminded how self-destructive
any society based on racist divisions can become.
© James Travers 2001
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Next Claire Denis film:
S'en fout la mort (1990)
Film Synopsis
A young French woman named France returns to Cameroon after twenty years
and is prompted to recall the happy childhood years she spent there in the
1950s. Her father Marc Dalens was a colonial administrator who was
often away from home performing his official duties. Her closest friend
was a black houseboy Protée, to whom her mother Aimée was secretly
attracted. One day, a light aircraft crashes in the vicinity, bringing
into the closeted lives of France and her mother some people who appear set
to banish the harmony they have so far enjoyed whilst living in the country.
One of the newcomers, Luc Segalen, notices the strong physical attraction
between Aimée and Protée and this prompts France's mother to
give in to her desires - with catastrophic results...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.