Belphégor - Le Fantôme du Louvre (2001)
Directed by Jean-Paul Salomé

Fantasy / Horror
aka: Belphecor: Curse of the Mummy

Film Review

Abstract picture representing Belphegor - Le Fantome du Louvre (2001)
Despite its blockbuster budget and impressive cast line-up, Belphégor - Le fantôme du Louvre is nothing more than a pale imitation of the worst kind of special-effects-driven Hollywood fantasy fare.  The film's biggest deficiency is its risibly bad script which cobbles together some feeble science fiction ideas and the odd reference to Egyptology in a meagre, ham-fisted attempt to entertain a mainstream cinema audience.  The meanest of intelligence would be insulted by the puerile nonsense that masquerades as a plot, in a film that takes itself so seriously.   The story makes no sense whatsoever, virtually every one of the characters in this film is a two-dimensional caricature, and the special effects - ostensibly the film's main selling point - are over-used and already look pretty dated.  If there's one category of film that France consistently does really badly, it is this kind of spectacular fantasy blockbuster.  Few, however, go as badly wrong as this one...
© James Travers 2005
The above content is owned by filmsdefrance.com and must not be copied.
Next Jean-Paul Salomé film:
Arsène Lupin (2004)

Film Synopsis

A collection of ancient Egyptian artefacts dating back three thousand years is taken to the Louvre Museum in Paris for analysis and classification.  The prize of the collection is an ornate sarcophagus, which is examined with interest by Glenda Spencer, a leading Egyptologist from England.  She is certain that the mummy housed within the sarcophagus is the evil Belphegor.  As the artefact is probed by a laser scanner a ghostly spirit escapes from the sarcophagus and finds its way into the museum's electrical system, resulting in a sudden power cut.  It is at this moment that a young woman named Lisa who lives nearby innocently enters the Louvre to recover her cat.  The mysterious spirit from the sarcophagus transfers itself into her body and she becomes the unwitting host of Belphegor's miraculously preserved life force.  Thus possessed, Lisa makes off with the Egyptian exhibits on display in the museum.  As the Louvre's collection of artefacts dwindles, detective Verlac is given the task of uncovering the identity of the thief...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Jean-Paul Salomé
  • Script: Jean-Paul Salomé, Danièle Thompson, Jérôme Tonnerre, Arthur Bernède (novel)
  • Cinematographer: Jean-François Robin
  • Music: Bruno Coulais
  • Cast: Sophie Marceau (Lisa), Michel Serrault (Verlac), Frédéric Diefenthal (Martin), Julie Christie (Glenda Spender), Jean-François Balmer (Bertrand Faussier), Patachou (Geneviève), Lionel Abelanski (Simonnet), Françoise Lépine (Suzanne Dupré), François Levantal (Mangin), Jacques Martial (Félix), Philippe Maymat (Bob), Pierre Aussedat (Pierre Desfontaines), Matteo Vallon (Cemetary employee), Jean-Claude Bolle-Reddat (Cemetary warden), Juliette Gréco (Woman in the cemetary), Olivier Claverie (Forensic surgeon), Bela Grushka (Madame Mozovski), Rémy Roubakha (Chief worker), Christof Veillon (Photographer), Jean-Christophe Herbeth (Pupitror)
  • Country: France
  • Language: French
  • Support: Black and White / Color
  • Runtime: 97 min
  • Aka: Belphecor: Curse of the Mummy ; Belphegor, Phantom of the Louvre

The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright