Batman v Superman: Dawn of Justice (2016) Directed by Zack Snyder
Action / Adventure / Sci-Fi
aka: Batman Versus Superman: Dawn of Justice
Film Synopsis
Batman is far from happy when Superman becomes America's favourite superhero
after his resounding defeat of General Zod. Far from wanting to hang
up his bat costume for good, Bruce Wayne is motivated to strike back against
the smug, neatly coiffured alien that has stolen his thunder. The Caped
Crusader is about to embark on his own personal feud with Krypton's last
son when the arch-criminal Lex Luthor puts into operation his latest diabolical
criminal exploit, one that threatens the whole city. Putting aside
their fierce rivalry, Batman and Superman realise they must join forces if
they are to prevent the evil Luthor from pulling off his most spectacular
crime yet...
Script: Chris Terrio,
David S. Goyer,
Bob Kane,
Bill Finger,
Jerry Siegel,
Joe Shuster
Photo: Larry Fong
Music: Junkie XL,
Hans Zimmer
Cast: Ben Affleck (Bruce Wayne),
Henry Cavill (Clark Kent),
Amy Adams (Lois),
Jesse Eisenberg (Lex Luthor),
Diane Lane (Martha Kent),
Laurence Fishburne (Perry White),
Jeremy Irons (Alfred),
Holly Hunter (Senator Finch),
Gal Gadot (Diana Prince),
Scoot McNairy (Wallace Keefe),
Callan Mulvey (Anatoli Knyazev),
Tao Okamoto (Mercy Graves),
Brandon Spink (Young Bruce Wayne),
Lauren Cohan (Martha Wayne),
Hugh Maguire (Jack O' Dwyer),
Michael Shannon (Zod),
Stephanie Koenig (Teacher),
Ripley Sobo (Sage),
Julius Tennon (General Security Chief),
Sammi Rotibi (General Amajagh)
Country: USA
Language: English
Support: Color
Runtime: 151 min
Aka:Batman Versus Superman: Dawn of Justice ;
Dawn of Justice
The greatest French Films of all time
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.