Film Review
It is more than likely that the success of the first Lassie film -
Lassie
Come Home (1943) - may have had something to do with the popularity of
this lachrymose melodrama, which somehow managed to attract an audience of
just over four million in France. As ludicrous as the plot is,
Barry
is one of director Richard Pottier's more engaging films, even though the
sentimentality is laid on a bit thick in places and the characters are frankly
ridiculous (the human ones at least). Having played one man of the
cloth to great acclaim in Maurice Cloche's Oscar winner
Monsieur Vincent (1947),
Pierre Fresnay looks at ease in a similar saintly role, although this time
he has his work cut out to prevent his photogenic co-star - an adorable St
Bernard dog (actually, several St Bernard dogs) - from completely stealing
his thunder.
With self-sacrificing lifesaver Fresnay and his cute canine sidekicks monopolising
our attention, the romantic leads Simone Valère and Gérard
Landry barely get a look-in - what their lack of screen presence begins,
a lacklustre and hopelessly muddled script completes. Valère,
Landry, and pretty well most of the cast just dissolve into the picturesque
alpine background, and it is only Fresnay, his dogs, and some well-worn character
actors (Pauline Carton, Yves Deniaud and Jean Brochard) who make any impression.
The horribly contrived narrative isn't help by an unnecessary flashback structure
that merely jumbles things up, presumably in an attempt to conceal the gaping
flaws in the badly slung together plot. With a stronger cast, Pottier
may have had an easier job covering up the story weaknesses. As it
is, he relies far too much on canine power to come to the rescue of a floundering
turkey.
On the plus side, the film is attractively shot - the panoramic exteriors
filmed in the alps are imbued with a savage beauty that lends more than a
touch of poetry and fatalism to the proceedings. Fresnay once again
cuts a sympathetic figure as a man of God whose faith is tested by both adversity
and his human failings. The later scenes in the film where he loses
his beloved canine companion but then forgives the dog's killer are heartbreaking
and played with genuine feeling. The problem is that, like every other
character in this tacky imbroglio, Fresnay's Father Théotime lacks
depth and struggles to be much more than a stock movie archetype - you only
have to compare it with Fresnay's character in Maurice Cloche's more sober
film to see the truth of this.
Barry is a cute little tear-jerker
for dog lovers, but nothing more.
© James Travers 2017
The above content is owned by filmsdefrance.com and must not be copied.
Next Richard Pottier film:
Casimir (1950)
Film Synopsis
In 1880, in a French alpine village near the border with Italy, Angelina
is passionately in love with Sylvain Bavoizet, not knowing that she has an
equally fervent admirer in Théotime, an old friend of hers who is
twenty years her senior. Renouncing the woman he has long pined for,
Théotime has made up his mind to become a priest and join the convent
of Saint Bernard, a remote hospice dedicated to rescuing unfortunates who
lose their way in the alps. Angelina's father, the mean-spirited innkeeper
Cavazza, has already decided that his daughter will marry the more prosperous
Jean-Marie Sondaz. His hopes dashed, Sylvain enlists in the French
army and is soon caught up in Napoleon's Italian campaign.
On hearing that her lover is dead, Angelina marries Sondaz, and the
couple leave to start a new life in America. Thirteen years later,
Angelina returns to the region with her husband and their infant daughter
Gisèle. Caught in a massive avalanche, Angelina narrowly escapes
death and is rescued by Théotime and his faithful dog Barry.
In the search for Angelina's missing daughter, Barry comes across a fatigued
Sylvain who, mistaking the dog for a fox, delivers it a fatal blow with his
knife. The stricken dog just makes it back to the hospice and dies
in his master's arms. Once Sylvain and Angelina have been reunited,
Théotime sets out once more to look for the missing child, accompanied
by Barry's son. Only one of them will return...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.