Bal Cupidon (1949)
Directed by Marc-Gilbert Sauvajon

Crime / Thriller / Comedy
aka: The Cupid Club

Film Review

Abstract picture representing Bal Cupidon (1949)
Quite what Pierre Blanchar had done to justify being thrown into this disastrous comedy thriller is anyone's guess but you can't help pitying him as he sinks deeper and deeper into the mire of mediocrity, with director Marc-Gilbert Sauvajon doing his best to extinguish this onetime bright star of French cinema.  Bal Cupidon is nothing more than the lamest pastiche of an American thriller farce, and juggles the well-worn clichés with almost complete ineptitude as the plot clumsily unravels before our eyes.  It is possible that with a more compatible leading duo than the totally ill-matched Blanchar and Simone Renant the film might have had some mileage, and might even have extracted a few respectful laughs, but as it is the film is an unmitigated dud.  The humour, such as it is, is strained to the point that it is more likely to cause you to grind your teeth than exercise those laughter lines, and the plot is nothing more than a recycled murder mystery of the dullest kind - no intrigue, no depth, just mind-numbing, time-wasting, soul-destroying tedium.  Marc-Gilbert Sauvajon did direct a few amiable films - his Maurice Chevalier vehicle Ma pomme (1950) is an enjoyable romp - but none of these make up for Bal Cupidon, his biggest misfire.
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

After causing a road accident by driving too fast, Flip finds himself in court, and prosecution lawyer Isabelle Plessis takes immense pleasure in seeing him sent to prison.  Isabelle latter learns that Flip is an amateur detective of no mean standing and she realises she needs his help in solving a mysterious murder at a top Paris nightclub.  With a friend of hers suspected of being the killer, Isabelle has to swallow her pride and engage Flip's professional services.  Being the perfect gentleman, Flip is more than willing to oblige.  He and Isabelle will prove to be a formidable pair of sleuths....
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Marc-Gilbert Sauvajon
  • Script: Marc-Gilbert Sauvajon
  • Cinematographer: René Gaveau
  • Music: Jean Marion
  • Cast: Pierre Blanchar (Flip), Yves Vincent (Morezzi), Marcelle Praince (Mme Chanut), Suzanne Dantès (Mme Delacroix), Henri Crémieux (Cresat), Simone Renant (Isabelle), Maria Mauban (Anne-Marie), René Blancard (Turnier), André Bervil (Tonio), Marion Tourès (Christine), Germaine Michel (Clémence), François Joux (Gratien), Pierre Juvenet (Le président Chanut), Albert Michel (Le gardien), Janine Miller (L'annonceuse), Yvonne Ménard (La danseuse), Odette Barencey (La cuisinière), Henry Murray (Le commissaire), André Wasley (Victor), Christiane Delacroix (La bonne)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 86 min
  • Aka: The Cupid Club

Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright