Backstage (2005)
Directed by Emmanuelle Bercot

Drama

Film Review

Abstract picture representing Backstage (2005)
With its near-documentary realism and strikingly naturalistic performances, Backstage offers the most unsettling portrait of teenage obsession and celebrity life.  This is surely a film for our time, a time when the cult of the celebrity has never been more potent, nor more destructive.  With an almost visceral ruthlessness, Backstage shows us the tawdry reality that lies beneath this glam sham, the vacuous lives of those who are propelled to godlike statuses and the harm that can ensue, to all those who get caught up in this sea of senseless adulation and self-aggrandizement.

The film has its artistic strengths but it is also pretty damn heartless and is marred by some unfortunate plot contrivances towards the end.  Despite a threadbare narrative, the characters are convincingly portrayed by talented performers (such as Emmanuelle Seigner and Isild Le Besco), who give the film its cruel realism.  Yet it is hard to sympathise with the characters and the cold cinéma vérité approach adopted by actress-turned director Emmanuelle Bercot distances the viewer from their predicament.  Backstage deals with a worthy subject and does make an impact, but is perhaps a little too earnest and detached to be completely effective. Bercot would prove herself a more capable director with her next two films, Elle s'en va (2013) and La Tête haute (2015).
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Emmanuelle Bercot film:
Les Infidèles (2012)

Film Synopsis

Lucie, a typical 17-year-old girl, is obsessed with her pop idol, Lauren Waks.  How then should she react when, one evening, the pop star should walk into her living room and sing a song for her benefit?  Joy, shock, bewilderment - a whole tide of emotions hits her and she flees to her bedroom.  The publicity stunt over, Lauren leaves with her entourage of cameramen, sound technicians and personal minders, leaving Lucie confused and bereft.  The adolescent tracks the pop star to her hotel in Paris and manages to gain admission to her rooms.  At first, Lauren is hostile to this intrusion but as Lucie persists in getting to know her she relents and takes her under her wing.  Perhaps Lauren needs Lucie more than Lucie needs her...?
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Emmanuelle Bercot
  • Script: Emmanuelle Bercot, Jérôme Tonnerre
  • Cinematographer: Agnès Godard
  • Music: Laurent Marimbert
  • Cast: Emmanuelle Seigner (Lauren Waks), Isild Le Besco (Lucie), Noémie Lvovsky (Juliette), Valéry Zeitoun (Seymour), Samuel Benchetrit (Daniel), Édith Le Merdy (Marie-Line, la mère de Lucie), Jean-Paul Walle Wa Wana (Jean-Claude, le garde du corps), Mar Sodupe (Nanou), Lise Lamétrie (La femme de chambre), Claude Duneton (Le père de Lauren)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 115 min

The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright