Arsenic and Old Lace (1944)
Directed by Frank Capra

Comedy / Crime / Thriller
aka: Frank Capra's 'Arsenic and Old Lace'

Film Review

Abstract picture representing Arsenic and Old Lace (1944)
Frank Capra was so taken with Joseph Kesselring's comic play Arsenic and Old Lace when he saw it performed on Broadway in 1941 that he immediately resolved to make a film adaptation.  Working for Warner Brothers (who had already bought the rights to the play), Capra shot the film in just four weeks on a budget of 400 thousand dollars.  Unfortunately, owing to a clause in the contract with Kesselring, the film couldn't be released until the stage play had finished its run on Broadway - which, as it turned out, wasn't until 1944.

The film version features three of the actors of the original hit Broadway production - Jean Adair, Josephine Hull and John Alexander.  Boris Karloff was also in this production, but he couldn't be released, and so his part in the film was taken by Raymond Massey, made up to resemble Karloff's most famous role, the Monster from Universal's classic horror film Frankenstein (1931).  Bob Hope was originally considered for the part of Mortimer, but he was locked into a contract with Paramount Pictures, and so the part went to another rising star, Cary Grant.

Whilst it pales in comparison with Capra's better films - It Happened One Night (1934), Mr. Deeds Goes to Town (1936), It's a Wonderful Life (1946) - Arsenic and Old Lace is a pure comedy delight, one of the best classic American black comedies. The film's main assets are the magnificently understated performances from Jean Adair and Josephine Hull, who manage to persuade us that murdering lonely old bachelors is a perfectly respectable occupation for charitable old ladies.  Raymond Massey and Peter Lorre, by contrast, are infinitely more sinister and behave exactly as psychopathic killers ought to behave, albeit with a very subtle edge of pantomime campness which strangely heightens their Gothic horror creepiness. After his star-making appearance in Fritz Lang's M (1931), Lorre was often cast as the unhinged solitary fiend - in films such as Stupéfiants (1932), Mad Love (1935) and Stranger on the Third Floor (1940) - so it is a joy to see him send himself up as the deliciously creepy Dr. Einstein.

The only let down is Cary Grant's way over-the-top performance, which must hold the record for the number of double takes in a single film.  Grant may have got away with such wide-eyed, arm-throwing over-acting in a stage production, but in a film it just looks silly and badly undermines the comedy.  Fortunately, the cumulative talent of the rest of the cast more than compensates for this histrionic excess.  Thanks to its menagerie of bizarre characters, its slick direction and weirdly black humour, Arsenic and Old Lace is a highly enjoyable film which stands up well to repeated viewings.
© James Travers 2008
The above content is owned by filmsdefrance.com and must not be copied.
Next Frank Capra film:
It's a Wonderful Life (1946)

Film Synopsis

Mortimer Brewster returns to Brooklyn to visit his elderly aunts Abby and Martha with the news that he has just got married.  The last thing he expects to find in his old home is a dead body in the window seat.  His aunts casually admit that this is the latest of their mercy killings.  Whenever a solitary old man enters their house, they take it upon themselves to put him out of his misery, with a glass of elderberry wine laced with poison.  Mortimer's retarded brother Teddy, who thinks he is President Theodore Roosevelt, has already buried 11 bodies in the cellar.  Mortimer is still reeling from this revelation when his other brother, Jonathan, a sadistic psychopath, puts in an unexpected appearance, with his sinister accomplice, Dr Einstein.  They too have a dead body to dispose of...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Frank Capra
  • Script: Julius J. Epstein (play), Philip G. Epstein (play), Joseph Kesselring (play)
  • Cinematographer: Sol Polito
  • Music: Max Steiner
  • Cast: Cary Grant (Mortimer Brewster), Priscilla Lane (Elaine Harper), Raymond Massey (Jonathan Brewster), Jack Carson (O'Hara), Edward Everett Horton (Mr. Witherspoon), Peter Lorre (Dr. Einstein), James Gleason (Lt. Rooney), Josephine Hull (Abby Brewster), Jean Adair (Martha Brewster), John Alexander ('Teddy Roosevelt' Brewster), Grant Mitchell (Reverend Harper), Edward McNamara (Brophy), Garry Owen (Taxi Cab Driver), John Ridgely (Saunders), Vaughan Glaser (Judge Cullman), Chester Clute (Dr. Gilchrist), Charles Lane (Reporter), Edward McWade (Gibbs), Spencer Charters (Marriage License Clerk), Sol Gorss (New York Pitcher)
  • Country: USA
  • Language: English / German
  • Support: Black and White
  • Runtime: 118 min
  • Aka: Frank Capra's 'Arsenic and Old Lace'

The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright