Film Review
Après la vie is one of three films directed
by Lucas Belvaux which make up a most unusual trilogy. The other two are:
Un couple épatant and
Cavale. All three films were made at
the same time, with the same cast and crew, and have narratives that run in parallel and
periodically overlap. The main characters in one film become secondary characters
in another, so there is a sense of seeing the same drama from three different perspectives,
an idea that works surprisingly well.
After the stuttering comedy
Un couple épatant
and the superlative noir thriller
Cavale,
Après la vie is a gritty drama that revolves
mainly around the nightmare of drug addiction. Whilst the plot stretches credibility
in a few places, it is nonetheless a compelling and thought-provoking film, sustained
by some extraordinarily intense performances and some appropriately moody cinematography.
Dominique Blanc's portrayal of a middle-aged drug addict is utterly convincing,
making her the lynchpin of the film. The scenes where her character goes into withdrawal
are truly harrowing to watch and a shocking reminder of the destructive nature of narcotics
addiction. In the calmer, more reflective scenes, there is a sense of quiet despair,
as though Agnès has endured an eternity of this Hell and can hardly face another
day.
The pathos and helplessness of Blanc's character is amplified by Gilbert
Melki's equally solemn portrayal of the husband, Pascal, a man who has allowed his wife's
addiction to foster within him an equally tragic dependency. Pascal finds it hard
to love and uses his wife's addiction to prove himself worthy of her. What other
reason could there be for him risking everything to provide the woman he married with
a constant supply of hard drugs? Pascal's need for love is as intense as his wife's
craving for morphine, and is no less destructive.
It's a shame that we are periodically
distracted with plot threads hanging over from the other two films in the trilogy, because
there is a very profound human story at the heart of this film.
Après
la vie is fundamentally a film about love and the need to be loved beyond all else.
This notion is so brilliantly encapsulated in the devastatingly effective closing sequence,
where light is shed on the film's enigmatic title, and the spectator is left stunned.
© James Travers 2006
The above content is owned by filmsdefrance.com and must not be copied.
Next Lucas Belvaux film:
Cavale (2002)
Film Synopsis
Pascal Manise is a dedicated police inspector who is prepared to do anything
so that he can supply his drug-addicted wife Agnès with a regular
supply of morphine. Unfortunately for him his dealer is a villainous
crime baron, Jacquillat. When a political terrorist, Bruno Le Roux, escapes from
prison, Jacquillat warns Pascal that there will be no more morphine until Le Roux is
found and killed. As he hunts for the escaped terrorist,
Pascal is engaged by Cécile, one of his wife's colleagues,
to spy on her husband, because she is convinced he is having an affair with another woman.
As he undertakes this errand, Pascal cannot help falling in love with Cécile.
Meanwhile, Agnès becomes involved with Le Roux. Badly affected
by drugs deprivation, she believes he will help her if she provides
him with a safe place to hide. However, Le Roux's only thought
is to conclude his long-standing vendetta with Jacquillat...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.