Appelez-moi Mathilde (1969)
Directed by Pierre Mondy

Comedy
aka: Call Me Mathilde

Film Review

Appelez-moi Mathilde is the one and only film to be directed by the versatile comic actor Pierre Mondy.  Despite some enthusiastic performances from Jacqueline Maillan (one of France's greatest comediennes) and Michel Serrault, the film doesn't get anywhere near to fulfilling its comic potential and is a tired, plodding affair with a very junvenile idea of comedy.  The drab sets and static photography don't help, but it's Mondy's bland direction and a dull narrative that are most aggravating.  Francis Veber's script does however contain a number of very funny jokes, which make the film just about bearable.
© James Travers 2007
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

One evening, Mathilde de Blanzac is kidnapped by a band of crooks and taken to a deserted farm.  Whilst they are waiting for the ransom to be paid, a pilot who has just ejected from a fighter plane lands on their hideout.  Mathilde convinces the pilot to pretend to be a Russian cosmonaut, to lead the kidnappers to think they have a far more valuable hostage...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Pierre Mondy
  • Script: Francis Veber (play)
  • Cinematographer: Marcel Grignon
  • Music: Michel Legrand
  • Cast: Jacqueline Maillan (Mathilde de Blanzac), Robert Hirsch (Hubert de Pifre), Michel Serrault (François), Guy Bedos (Georges), Bernard Blier (Charles de Blanzac), Jacques Balutin (Le brigadier), Harry-Max (Le compice), Jacques Dufilho (Petitjean), Maurice Auzel (Un fermier), Stéphane Bouy (Le secrétaire de Blanzac), Pierre Mondy (Le commissaire), Francis Veber (Le présentateur TV), Jean-Claude Arnaud, Maurice Ducasse, Paul Pavel
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 95 min
  • Aka: Call Me Mathilde

The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright