The films of
Eric Rohmer

Le Signe du lion (1959)
Eric Rohmer
  La Boulangère de Monceau (1962)
Eric Rohmer
  La Boulangère de Monceau (1963)
Eric Rohmer
 
     
Eric Rohmer’s first full length film is this tragicomic tale of one man’s spiral descent into poverty and isolation. Whilst the film shows Rohmer’s inexperience as a filmmaker too clearly and also suffers...  [More...]   The first of Eric Rohmer’s Six contes moraux provides an engaging portrait of male indecision and illustrates perhaps more clearly than in the other five films Rohmer’s premise for the series. The central...  [More...]   The first of Eric Rohmer’s Six contes moraux provides an engaging portrait of male indecision and illustrates perhaps more clearly than in the other five films Rohmer’s premise for the series. The central...  [More...]  

La Carrière de Suzanne (1963)
Eric Rohmer
  Paris vu par... (1965)
Claude Chabrol
  La Collectionneuse (1967)
Eric Rohmer
 
     
In the second of his Six contes moraux, Eric Rohmer paints an all too believable portrait of adolescent vice and vulnerability whilst pursuing the central linking theme of a moral dilemma concerning love and desire...  [More...]   By the mid-1960s, there were signs that the French New Wave had all but run its course. Its leading lights – François Truffaut, Jean-Luc Godard...  [More...]   Eric Rohmer’s third film in his series of Six Contes Moraux is similar in style to the first two shorter films (La Boulangère de monceau and La Carrière de Susanne)...  [More...]  

Ma nuit chez Maud (1969)
Eric Rohmer
  Le Genou de Claire (1970)
Eric Rohmer
  L'Amour l'après-midi (1972)
Eric Rohmer
 
     
The third in Eric Rohmer’s series of six “contes moraux” (morality tales) explores the issue of freewill and the ability of one human being to choose his destiny in spite of competing external influences...  [More...]   The fifth of Rohmer’s six Moral Tales closely parallels the preceding tale Ma nuit chez Maud as it portrays a man who is betrothed to one woman but is tempted by another...  [More...]   Eric Rohmer brings his series of six moral tales to a close with L’Amour l’après-midi , a charming romantic comedy which is as much a conventional bourgeois satire as a characteristically Rohmeresque...  [More...]  

Perceval le Gallois (1978)
Eric Rohmer
  La Femme de l'aviateur (1980)
Eric Rohmer
  Le Beau mariage (1982)
Eric Rohmer
 
     
Eric Rohmer’s second historical film (after Die Marquise von O…) is his most provocative and uncharacteristic work to date. It is based on a Twelfth century poem by the French writer Chrétien de Troyes...  [More...]   The first in Eric Rohmer’s series Comédies et proverbes is this enchanting portrait of love, jealousy and suspicion. As in most of Rohmer’s works...  [More...]   The second of Eric Rohmer’s Comédies et proverbes, Le Beau mariage is a wryly satirical romantic comedy where the central heroine, a headstrong middle-class young woman...  [More...]  

Pauline à la plage (1983)
Eric Rohmer
  Les Nuits de la pleine lune (1984)
Eric Rohmer
  Le Rayon vert (1986)
Eric Rohmer
 
     
The third in Eric Rohmer’s series Comédies et proverbes is this light comedy of summer romance, in which Rohmer explores the conflicting desires between men and women...  [More...]   He who has two women loses his soul. He who has two houses loses his mind. This is the proverb around which the fourth film in Eric Rohmer’s series of Comédies et proverbes is based...  [More...]   Arguably the most visually poetic of Rohmer’s films in his series of Comédies et Proverbes, Le Rayon vert is an engaging, wistful tale which easily evokes the sense of yearning and isolation which marks many...  [More...]  

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