Many other great actors have made a stab at playing Agatha Christie's egg-headed
Belgian detective, but none has come closer to the author's original creation
nor had as great an impact as David Suchet, whose portrayal is justly considered
the
definitive Poirot. (Suchet's only serious rival
was Albert Finney in the 1974 film
Murder on the Orient Express.)
In seventy episodes made over a quarter
of a century (from 1989 to 2013), Suchet's brilliant but tetchy private detective
coolly unravelled a whole host of fiendishly cunning crimes, assisted by
his three most loyal confidantes - Captain Hastings, Chief Inspector Japp
and Miss Lemon - a quartet that is probably the weirdest crime-fighting syndicate
you can imagine outside an Enid Blyton novel.
Dame Agatha's literary output was as variable as it was prolific, but this
seductively plush television series gives each of her stories a consistent
high quality cinematic look - something it miraculously sustained throughout
the series' long run. From the show's stylish Art Deco-themed opening
titles to its glossy production design,
Poirot not only captures perfectly
the distinctive character of Christie's fictional world, but it also evoked
its period setting (Europe in the 1930s) more powerfully than probably any
other television series. The scripts were polished, the acting was
impeccable and the production values were always of the highest standard.
The series reached its peak in Season 4 (1992) with a number of feature-length
episodes that are arguably the strongest -
The ABC Murders,
Death
in the Clouds and
One, Two, Buckle My Shoe. From 2003 onwards,
the series became more self-conscious, more prosaic, and far more prone to
directorial self-indulgence as the 'house style' went out of the window (
Five
Little Pigs exemplifies this and is the least watchable episode in the
entire series).
The humour of the early episodes was also less noticeable in later series
and increasingly we came to lament the absence of the redoubtable trio of
Hastings, Japp and Lemon. Zoë Wanamaker's prickly Ariadne Oliver
was no substitute for this plausible threesome and became irritating beyond
belief after her second encounter with Poirot. With the best stories
already in the can, the series showed signs of fatigue in its last few years,
although it finally ended in style with
Curtain: Poirot's Last Case,
a more than satisfactory conclusion to a great series with Suchet bowing
out with distinction.
ITV Studios' 35-disk box set does justice to the series, not only gathering
together in one tidy and durable package all seventy episodes, but also including
three bonus features, the best being David Suchet's revealing exposé
of how he 'found Poirot' and the impact this had on his life. Admirable
as this set is, it does have one irritating feature - when you load some
of the DVDs an incredibly loud and patronising anti-piracy warning flashes
up on the screen. (As you cannot turn off or skip this asinine thirty
second lecture, the best thing to do is to load the disk and go off to make
yourself a cup of tea.) This flaw aside, the
Poirot box set
is hard to fault - it is an absolute treat for any fan of Agatha Christie
or crime mysteries in general. Not only is it far superior to the big
screen adaptations, it is often an improvement on the original novels. Dame
Agatha would have approved.