Resnais’ first full-length film was Hiroshima mon amour (1959), an unusual romantic drama which was developed from an idea for a short documentary. The film was critically acclaimed in France and abroad and won Resnais instant fame, establishing him as a major director of the French New Wave. His following film, L’année dernière à Marienbad (1961), was no less successful, a remarkable interplay of time and memory with some unforgettable visual imagery.
Although less prolific and reactionary than some of his New Wave contemporaries, Alain Resnais continued to make original and provocative cinema which was, for the most part, well received by the critics. This included films such as Muriel (1963) , La guerre est finie (1966), Stavisky (1974) and Providence (1977), the latter of which won him seven awards at the Césars in 1978.
After a few disappointments in the 1980s, Alain Resnais regained his reputation for inventive and highly artistic cinema in the 1990s. In Smoking/No Smoking (based on a series of plays by the distinguished English playwright Alan Ayckbourn), the stark minimalism which characterises Resnais’ later films is carried to its logical extreme, although the film is utterly compelling. This was followed by On connaît la chanson (1997) and Pas sur la bouche (2003), in which the director experimented with musical ideas, inviting favourable comparisons with the work of the English television writer Dennis Potter.
The cinema of Alain Resnais has always been challenging the boundaries and our assumptions of what cinema should be about, perhaps more successfully than any other director. Although some of his films are highly artistic, abstract and inaccessible, others have won notable mainstream success. Few directors have achieved this degree of diversity whilst pursuing an extraordinarily artistic vision of cinema. Alain Resnais’ work is challenging, mysterious and often entertaining, but it is also remarkably coherent, showing a keen appreciation of human issues whilst exposing a creative force of great talent and daring.
© James Travers 2004
Visite à Oscar Dominguez (1947)
Visite à Hans Hartnung (1947)
L’Alcool tue (1947) (short)
Van Gogh (1948) (short)
Les Jardins de Paris (1948) (short)
Châteaux de France (1948)
Guernica (1950) (short)
Gauguin (1950) (short)
Les Statues meurent aussi (1953) (short)
Nuit et brouillard (1955) (short)
Toute la mémoire du monde (1956) (short)
Le Chant du Styrène (1959) (short)