Trois ponts sur la rivière
1999 Comedy / Drama   
 
  • Director: Jean-Claude Biette
  • Script: Jean-Claude Biette
  • Photo: Emmanuel Machuel
  • Cast: Jeanne Balibar (Claire), Mathieu Amalric (Arthur Echéant), Thomas Badek (Frank), André Baptista (Ricardo), Sara Paz (Rita), Michèle Moretti (Madame Plume), Isabel Ruth (Professor's assistant), Marilyne Canto (Sophie), Frédéric Norbert (Charles), Marc Susini (Salomon), Ricardo Aibéo (Miguel)
  • Country: France
  • Language: French
  • Runtime: 117 min
 
 
 
Summary
Arthur, a history teacher living in Paris, is on the brink of a journey of self-discovery.  Living alone for some years has made him self-centred and unfriendly - he argues with his colleagues and brushes aside his next-door neighbour’s gestures of friendship.  Then Arthur’s outlook changes when he runs into a former girlfriend, Claire.  Their former passion rekindled, Arthur invites Claire to accompany him to Lisbon, where he plans to track down a reclusive historian.   As the task proves more difficult than expected, Arthur finds his relationship with Claire is under great strain, and a few chance encounters with his suspicious neighbour only heightens his anxiety...

Review
A quiet, slow and slightly disturbing film, Trois ponts sur la rivière takes its spectator on a bizarre journey which attempts to capture the mystery of life, its uncertainties, blind alleys, missed opportunities, and so forth.  Its principal protagonists - skilfully portrayed by Jeanne Balibar and Mathieu Amalric - are like lost sheep, struggling to make sense of their lives and are constantly surprised by what they encounter.  To that extent, the film is a realistic portrayal of human existence, intriguing and curiously poetic, similar to the works of Jacques Rivette.  Unfortunately, the film’s apparent lack of direction weakens the spell it has over its spectator and most audiences will find watching this film an unrewarding experience, particularly as it tacitly avoids any attempt at explanation.    The film was one of the latter works of director Jean-Claude Biette, one-time assistant to the Italian master Pasolini who went on to win acclaim for his daring and humanist brand of film d’auteur.

© James Travers 2003


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