Summary
In August 1940, a German prisoner-of-war camp receives a fresh intake
of captured British soldiers. These include Captain Hasek, a
Czech soldier who, after escaping from a Nazi concentration camp, stole
the uniform and papers from a dead British soldier named Captain
Mitchell. The other soldiers grow suspicious of Hasek
because of his ability to speak German fluently but the Czech wins them
around and convinces them that if his true identity is discovered he
will be executed by the Nazis. To prevent his captors from
becoming suspicious, Hasek begins corresponding with Mitchell’s wife
and unwittingly rekindles her love for her husband...
Review
Ealing Studio’s Went the Day Well?
(1943) is widely considered to be one of the best British war
films, but another war film from the same company, The Captive Heart, is just as
deserving of praise and attention. This was one of the first
films to portray life in the prisoner-of-war camps and is a forerunner
to films such as The Colditz Story (1955) and The Great Escape (1963).
The film pays tribute to those men who spent the war years not on the
battlefields, winning honours and actively serving their country, but
living in deplorable prison camps, cut off from the rest of the world
and not knowing which way the war was going.
The Captive Heart is a beautifully crafted film that combines some strikingly evocative chiaroscuro cinematography with an almost documentary-style naturalism (achieved by using a real German prisoner-of-war camp as the principal location). Excellent performances from an ensemble cast of some of Britain’s finest character actors of the period (including Jack Warner, who cited this as his favourite film role) and a realistic story vividly convey how life was in the camps, perhaps more so than any subsequent film of this kind. Some forced sentimentality creeps in towards the end, but this is not enough to diminish the poignancy and authenticity of what is, by any criterion, a remarkable film.
The Captive Heart is a beautifully crafted film that combines some strikingly evocative chiaroscuro cinematography with an almost documentary-style naturalism (achieved by using a real German prisoner-of-war camp as the principal location). Excellent performances from an ensemble cast of some of Britain’s finest character actors of the period (including Jack Warner, who cited this as his favourite film role) and a realistic story vividly convey how life was in the camps, perhaps more so than any subsequent film of this kind. Some forced sentimentality creeps in towards the end, but this is not enough to diminish the poignancy and authenticity of what is, by any criterion, a remarkable film.
© filmsdefrance.com 2009
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Related links
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To buy this film
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Credits
- Director: Basil Dearden
- Script: Patrick Kirwan, Angus MacPhail, Guy Morgan
- Photo: Douglas Slocombe
- Music: Alan Rawsthorne
- Cast: Michael Redgrave (Capt. Karel Hasek), Rachel Kempson (Celia Mitchell), Frederick Leister (Mr. Mowbray), Mervyn Johns (Pte. Don Evans), Rachel Thomas (Di Evans), Jack Warner (Cpl. Ted Horsfall), Gladys Henson (Flo Horsfall), James Harcourt (Doctor), Gordon Jackson (Lieut. David Lennox), Elliott Mason (Mrs. Lennox), Margot Fitzsimons (Elspeth McDougall), David Keir (Mr. McDougall), Derek Bond (Lieut. Stephen Harley), Jane Barrett (Caroline Harley), Meriel Forbes (Beryl Curtiss), Robert Wyndham (Lt. Cdr. Robert Marsden), Basil Radford (Major Ossy Dalrymple), Guy Middleton (Capt. Jim Grayson), Jimmy Hanley (Pte. Mathews), Ralph Michael (Capt. Thurston), Jack Lambert (Padre), Karel Stepanek (Herr Forster), Friedrich Richter (Camp Kommandant), Frederick Schiller (German M.O.), Jill Gibbs (Janet Mitchell), David Walbridge (Desmond Mitchell), Grace Arnold (Official), Torin Thatcher (Repatriation Official)
- Country: UK
- Language: English / German
- Runtime: 104 min; B&W
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War / Drama / Romance






