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Sur un air de Charleston
1927 Comedy / Sci-Fi / Short
Review
With some material left over from his previous film, Nana
, Jean Renoir decided to indulge his whim for comic fantasy in this bizarre short
film which defies any attempt at rational interpretation. The film was intended
as a surreal tribute to jazz, which Renoir claimed to have just discovered when he made
the film. With a blacked-up lead character and clumsy erotic dances from a semi-nude
Catherine Hessling, the film manages to push back the frontier of bad taste by several
leagues, but Renoir’s humanist treatment of his subject – to say nothing of his bizarre
imagination – makes the film an interesting and oddly entertaining curiosity.
© James Travers 2003 Write a review for this film...User Comments
Johnny Hudgins was a dear friend of mine before he passed away.
He and his wife Mildred Hudgins gave me two of his scrapbooks. In
one of them, I have the original photos taken during the filming of Charleston.
By the way, Catherine Hessling, the female star, was Jean Renoir’s wife at the time.
Johnny Hudgins, who liked to be called a colored pantomime, is unfortunately a
forgotten giant of vaudeville.
Jean-Claude Baker (New York City, USA) 
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Director:
Jean Renoir
Starring: Catherine Hessling, Johnny Hudgins, Pierre Braunberger, André Cerf, Pierre Lestringuez Synopsis
A black-faced space traveller arrives on Earth to find the planet in ruins after an apocalyptic
disaster. He discovers a wild young woman who lives in a shack with a monkey.
The alien is impressed when the wild woman teaches him various dances, and decides to
take her away with him in his spaceship...
Credits
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