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Overview
Scream and Scream Again is a British science-fiction film first released in 1970,
directed by Gordon Hessler.
The film is based on a novel by Peter Saxon and stars Vincent Price, Christopher Lee, Peter Cushing, Alfred Marks and Christopher Matthews.
It has also been released under the title: Screamer.
Our overall rating for this film is: mediocre.
Synopsis
As he investigates the gruesome murders of two young
women, Superintendent Bellaver becomes convinced that a psychopath is at
large. A man wakes up in
a hospital and finds, to his horror, that his legs have been
amputated. Somewhere in Europe, a Fascist government with a very
silly logo is preparing to take over the world. A mad scientist
is attempting to create a race of super-humans by inserting human
brains into synthetic bodies. Is it possible that these bizarre
happenings are in some way connected?
Film Review
Scream and Scream Again can be
summarised in four words: premise good; realisation bad. The
plot, taken from a novel by Peter Saxon, has some mileage (even if it
is slightly barking), but unfortunately screenwriter Christopher
Wicking and director Gordon Hessler took the decision to jumble it up
and make it as incomprehensible as possible. After five or six
viewings, the film starts to make some kind of sense, but by that stage
you are just about ready to throw yourself into a vat of acid, just
like the film’s principal villains.
The film’s lack of narrative coherence is not its biggest sin however. The publicity for Scream and Scream Again boldly claimed to offer us three masters of horror – Vincent Price, Christopher Lee and Peter Cushing. What it doesn’t tell us is that Cushing is only on screen for about three minutes, Lee for only marginally longer and Price only comes into his own in the last ten minutes. It doesn’t quite contravene the Trades Description Act, but it is a bit of a let down for anyone expecting to see the three horror kings together. No doubt if the film were re-released today, the distributors would make a big thing of the fact that Peter Sallis of Wallace and Gromit fame is in the film (for a good ninety seconds). Although the film has its failings, it occasionally impresses with a few inspired directorial flourishes and, to be fair, it does offer one or two spine-tingling thrills of the kind you would expect of a good low-budget British horror film. The only thing that cannot, under any circumstances, be forgiven is the awful soundtrack. Who could possibly think that late 1960s British disco jazz would make an appropriate accompaniment to a horror film? Someone in the production office clearly lost the plot. And they weren’t alone. © filmsdefrance.com 2009 Write a review for this film... User Comments
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Credits
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