La Princesse de Clèves (1961)

La Princesse de Clèves is a French romantic film drama first released in 1961, directed by Jean Delannoy.  The film stars Raymond Gérôme, Lea Padovani, Annie Ducaux, Alain Ferral and Renée-Marie Potet.  It has also been released under the title: Princess of Cleves.  Our overall rating for this film is: good.


France, 1559.  King Henri II gives a state ball in honour of the marriage of the young Lady of Chartres to the Prince of Cleves.  At the ball, the young princess dances with the handsome Duke of Nemours and the two are instantly attracted to one another.   Realising that he is in love, the Duke of Nemour subsequently tries to court the princess, but in vain.  Although the Princess of Cleves loves the Duke as much as he loves her, she remains implacably loyal to her husband...

Princesse de Clèves is a lavish period production based on the 17th century historical novel by Madame de La Fayette.  Set at the court of the ill-fated Henri II, the story concerns mainly an impossible romance between a young duke and a young Princess, although it also brings in wider court intrigue involving other historical figures such as Catherine de Medici.   The script was written by Jean Delannoy and Jean Cocteau, who previously collaborated on the 1943 film L’Eternel retour.  Another connection between these two films is the actor Jean Marais, who starred in both films.

Despite its impressive visual feel, Princesse de Clèves is a film which has some difficulty engaging with its audience.  The grandeur of the film’s production values (extravagant sets and costumes)  appears to dilute those less tangible elements which are needed for the film to move its spectator – such as a sense of intimacy and passion.  Whilst the dialogue is beautifully poetic in places, it is not sufficient to convey the impression of an all-consuming love and there is a sense that, in the hands of a younger director, with a stronger cast, this could have been a much more powerful film.  Despite these qualms, the film has much to commend it.  It is competently directed by one of the masters of French cinema, offers a convincing portrayal of the era in which it is set, and features the magnificent Jean Marais in one of his most poignant film roles.

© James Travers 2002

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