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Pot-Bouille
1957 Drama / Romance
Pot-Bouille
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Synopsis
Paris, 1865. Octave Mouret is a young man filled with great
ambitions. He is also a consummate Don Juan and it his talent for
seducing members of the opposite sex which he intends using to make a
rapid ascent of the social scale. He finds work as a
salesman in an upmarket drapers’ shop, Au Bonheur des Dames, and soon
makes a positive impression on his employer, Madame
Hédouin. When the latter repels his amorous advances,
Octave resigns and finds work with a rival shop managed by Auguste
Vabre, the weak-willed son of his landlord. When Auguste
discovers that Octave is having an affair with his wife, Berthe, he
challenges him to a duel...
Film Review
One of the last highpoints of Julien Duvivier’s outstanding filmmaking
career, Pot-Bouille is an
effective synthesis of the harsh world of writer Emile Zola and the
director’s own peculiar brand of period romanticism. The film’s
unflattering portrayal of the bourgeoisie, as habitual parasites and
schemers totally lacking in morality, typifies Duvivier’s deeply
cynical view of human nature, which is most evident in his later
films. Even the hero of the film, a womanising social climber
superbly portrayed by Gérard Philipe, is a scoundrel who
ruthlessly exploits all around him for his own ends. This would
doubtless have rendered the hero unsympathetic were it not for the fact
that his victims are even more egregiously self-interested.
Duvivier had previously followed the exploits of Zola’s anti-hero
Octave Mouret in Au bonheur des dames (1930).In addition to its iconic lead actor, the exceptional cast includes Danielle Darrieux, who had previously starred opposite Gérard Philipe in Claude Autant-Lara’s lavish Le Rouge et le noir (1954), and Anouk Aimée, the future star of Claude Lelouch’s Un homme et une femme (1966). Duvivier’s slick direction and Henri Jeanson’s well-crafted screenplay make this one of French cinema’s more enjoyable Zola adaptations, even if it lacks the bleak tone and character depth of the original novel. The film was ill-received in some quarters (Duvivier had long gone out of fashion by this stage in his career) but earned favourable reviews from others, notably the critic François Truffaut, who considered it to be a good example of the film d’auteur. © James Travers 2009 Write a review for this film... User Comments
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