Summary
Through a meeting with a friend, Nelly is introduced to a wealthy retired business man,
Monsieur Arnaud. Nelly talks a little about her life – she is married to an unemployed
layabout and, having lost a well-paid job, she is now heavily in arrears on her rent.
Arnaud offers to pay off her debts and, after some reflection, Nelly accepts. She
also agrees to help her benefactor type up his memoirs. As the young woman and the
old man get to know one another, a strange bond develops between them, tender, yet so
distant...
Review
Claude Sautet’s final film is amongst his finest achievements, a dark, intriguing tale
of repressed love performed by two of France’s most talented actors. It is a daring
film which relies almost exclusively on the ability of its two lead actors to portray
the complex interactions arising from an impossible love between a love-scarred young
woman and a timid, sedentary older man. That the film succeeds, and does so
admirably, is as much a testimony to Sautet’s vision and courage as to the skill of his
actors. On its first release in France, the film was well received by both the public
and critics alike, and won two Césars (for best director and best actor).
The film is perfectly constructed, as compelling as a suspense thriller yet carrying the tenderness of a true love story – except that all emotion is rigorously held back, creating an almost unbearable sense of ambiguity and uncertainty.
The two lead actors are perfectly cast. Michel Serrault’s detachment gives the film an almost tragic dimension, although the character he plays is so complex that we never fully sympathise with him. Likewise, Emanuelle Béart’s character, Nelly, is full of contradictions, preventing us from every really understanding what makes her tick. It is magnificent role for Béart and her performance reveals a formidable acting talent, full of subtlety and suppressed emotion. The two actors deliver a remarkable, probably unique, cinematographic experience involving two contrasting characters acting out a dangerous intellectual mating ritual which neither is able to go beyond.
Although, on the surface, a simple piece of cinema, conventionally made with no artistic gimmickry, Nelly & Monsieur Arnaud is undoubtedly a fascinating and profoundly complex film. This complexity lies mainly in the subtext and the subtle visual cues, something which, like a well-composed piece of music or a painting, allows anyone who views the film to make his or her own interpretation. In his final parting shot, Sautet reminds us that cinema genuinely is a form of art – entertaining yet capable of provoking thought and revealing new insights on life.
© James Travers 2000
Write a review for this film...
The film is perfectly constructed, as compelling as a suspense thriller yet carrying the tenderness of a true love story – except that all emotion is rigorously held back, creating an almost unbearable sense of ambiguity and uncertainty.
The two lead actors are perfectly cast. Michel Serrault’s detachment gives the film an almost tragic dimension, although the character he plays is so complex that we never fully sympathise with him. Likewise, Emanuelle Béart’s character, Nelly, is full of contradictions, preventing us from every really understanding what makes her tick. It is magnificent role for Béart and her performance reveals a formidable acting talent, full of subtlety and suppressed emotion. The two actors deliver a remarkable, probably unique, cinematographic experience involving two contrasting characters acting out a dangerous intellectual mating ritual which neither is able to go beyond.
Although, on the surface, a simple piece of cinema, conventionally made with no artistic gimmickry, Nelly & Monsieur Arnaud is undoubtedly a fascinating and profoundly complex film. This complexity lies mainly in the subtext and the subtle visual cues, something which, like a well-composed piece of music or a painting, allows anyone who views the film to make his or her own interpretation. In his final parting shot, Sautet reminds us that cinema genuinely is a form of art – entertaining yet capable of provoking thought and revealing new insights on life.
© James Travers 2000
Write a review for this film...
User Comments
Useful links
- Best French films of 2011
- Best French films of the 2000s
- Best of the French New Wave
- Best of French film comedy
- The best 100 French films
- The most successful French films
- Great French filmmakers
Related links
- Other French films of the 1990s
- The best French films of the 1990s
- Other French romantic films
- The best French romantic films
- Biography and films of Claude Sautet
To buy this film
Check DVD and Blu-ray availability:
Credits
- Director: Claude Sautet
- Script: Jacques Fieschi, Claude Sautet, Yves Ulmann
- Photo: Jean-François Robin
- Music: Philippe Sarde
- Cast: Emmanuelle Béart (Nelly), Michel Serrault (M. Pierre Arnaud), Jean-Hugues Anglade (Vincent Granec), Claire Nadeau (Jacqueline), Françoise Brion (Lucie), Michèle Laroque (Isabelle), Michael Lonsdale (Dolabella), Charles Berling (Jerôme), Jean-Pierre Lorit (Christophe), Michel Albertini (Djamel), Coraly Zahonero (Marianne), Graziella Delerm (Laurence), Olivier Pajot (Jean-Marc), Alexandre Chappuis (Luc)
- Country: France
- Language: French
- Runtime: 106 min
- Aka: Nelly and Mr. Arnaud
Similar films
If you like this film you may also like the following:- À tout de suite (2004)
- Conte d’automne (1998)
- Coup de foudre (1983)
- Entre adultes (2007)
- Le Fabuleux destin d’Amélie Poulain (2001)
- Le Grand bleu (1988)
- Mademoiselle (2001)
- Mon père, ce héros (1991)
- Quand j’étais chanteur (2006)
- Se souvenir des belles choses (2001)
- Les Témoins (2007)
- Trois couleurs: Bleu (1993)
- Trois places pour le 26 (1988)
- Une femme de ménage (2002)
To buy Nelly et Monsieur Arnaud:

Drama / Romance






