Mon beau-frère a tué ma soeur (1986)
Directed by Jacques Rouffio

Crime / Comedy / Thriller
aka: My Brother-in-law Killed My Sister

Film Review

Abstract picture representing Mon beau-frere a tue ma soeur (1986)
Jacques Rouffio may not be the best-known of French filmmakers but at least two of his films, the dark thriller Sept morts sur ordonnance (1975) and anti-capitalist satire Le Sucre (1978), make him worthy of our respect.  Mon beau-frère a tué ma soeur is one of his lesser offerings, a clueless comedy-thriller that goes off the rails within the first ten minutes and never gets back on again.  For much of the film, the leads Michel Piccoli and Michel Serrault seem to be enjoying a private joke, but they are the only ones who appear to see the funny side of this stillborn fiasco. Rising star Juliette Binoche is totally wasted (God knows how she was lured into this slow motion disaster) although her presence does at least provide some succour to any poor wretch who has to watch the film.  Virtually bereft of laughs and hopelessly tangled up in a plot that struggles to make any kind of sense, Mon beau-frère a tué ma soeur is not something you would ever wish to inflict on your worst enemy.
© James Travers 2014
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

The esteemed anthropologist Octave Clapoteau is the happiest of men on the day when he is admitted to the Académie Française with the support of his friend Etienne Sembadel, a well-known psychiatrist.  After the reception, the two friends are accosted by one of Sembadel's psychiatric patients, an attractive young veterinary named Esther Bouloire, who repeatedly insists that her sister was killed by her brother-in-law.  Troubled by this revelation, Clapoteau and Sembadel agree to look into the matter and discover what really did happen to Esther's sister.  Their investigation has hardly begun before the accused brother-in-law makes his confession and is then promptly killed.  By now it is evident to both Clapoteau and Sembadel that there is far more to this case than meets the eye.  It seems that Esther's brother-in-law carried out a series of murders not on his own account but for his uncle Jocelyn, as part of a cruel campaign of revenge.  The adventure isn't over yet.  As more startling discoveries come their way, Clapoteau and Sembadel find themselves on a road leading straight to the Vatican...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jacques Rouffio
  • Script: Georges Conchon (dialogue), Jacques Rouffio (dialogue)
  • Cinematographer: Jacques Loiseleux
  • Music: Philippe Sarde
  • Cast: Michel Serrault (Octave Clapoteau), Michel Piccoli (Etienne Sembadel), Jean Carmet (Jocelyn Bouloire), Juliette Binoche (Esther Bouloire), Milva (Renata Palozzi), Jean-Pierre Bisson (D'H), Tom Novembre (Léon), Isabelle Petit-Jacques (Micheline), Agnès Garreau (Muriel), Jean-Paul Roussillon (Somptueux Larbin), Raoul Billerey (Grand Patron), Maurice Chevit (Monsieur Bongrand), Didier Flamand (Journaliste aux L'Hebdo Gauche), Francis Girod (L'interviewer TV), Gérard Klein (Le journaliste radio), Alexandra Lorska (Mademoiselle Considérant)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 95 min
  • Aka: My Brother-in-law Killed My Sister

The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright