Summary
After many years, Pierre is overjoyed to be reunited with his old
friend Marcel, who has become a world famous virtuoso
violinist. One evening, Pierre invites his friend to his
home, where he introduces him to his wife Romaine. It proves to
be a cataclysmic meeting. As soon as they see one another, Marcel
and Romaine know they are in love. The following day, Romaine
visits Marcel without her husband’s knowledge and begins a love affair
that cannot end well. When Pierre falls ill and is bed-ridden,
Romaine faithfully devotes herself to caring for him, knowing that as
she does so she risks losing Marcel forever...
Review
Paul Czinner’s lacklustre adaptation of Henri Bernstein’s popular 1920s
play has not worn well and must have appeared pretty dated when it was
first screened in 1932. Apart from a few fleeting stylistic touches
(which are actually more distracting than helpful), the film is
virtually little more than a filmed stage play, alas one that is
singularly lacking in the vitality of a stage production. The
three leading actors - Gaby Morlay, Pierre Blanchar and Victor Francen
- were all major players in 1930s French cinema, but each of them turns
in a dull performance that is painfully mannered and theatrical,
robbing the film of any emotional truth and reality.
A sorry epitome of the creaking old-fashioned melodrama which today is so oft derived (and rightly so), Mélo has little to engage a modern cinema audience and serves only to illustrate how filmmaking technique and tastes have evolved since it was made. Incidentally, the play is not entirely to blame - director Alain Resnais subsequently adapted it for the cinema in 1986 and made of it a compelling and highly nuanced piece of drama, without departing that far from the theatrical form. Next to Resnais’s film, Czinner’s is unbearably stilted and passionless, worth watching only if you have a perverse desire to see Gaby Morlay perform a forward roll (with the grace and enthusiasm of someone diving into a pool of sharks).
© filmsdefrance.com 2011
Write a review for this film...
A sorry epitome of the creaking old-fashioned melodrama which today is so oft derived (and rightly so), Mélo has little to engage a modern cinema audience and serves only to illustrate how filmmaking technique and tastes have evolved since it was made. Incidentally, the play is not entirely to blame - director Alain Resnais subsequently adapted it for the cinema in 1986 and made of it a compelling and highly nuanced piece of drama, without departing that far from the theatrical form. Next to Resnais’s film, Czinner’s is unbearably stilted and passionless, worth watching only if you have a perverse desire to see Gaby Morlay perform a forward roll (with the grace and enthusiasm of someone diving into a pool of sharks).
© filmsdefrance.com 2011
Write a review for this film...
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Related links
- The best French romantic films
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Credits
- Director: Paul Czinner
- Script: Henri Bernstein (play), Paul Czinner, Carl Mayer
- Photo: Jules Kruger, René Ribault
- Cast: Gaby Morlay (Gaby), Pierre Blanchar (Pierre, le mari), Victor Francen (Marcel, l’amant), Jean Bara, Blanche Denège, Maria Fromet
- Country: France / Germany
- Language: French
- Runtime: 95 min; B&W
- Aka: The Dreamy Mouth
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Drama / Romance






