Marguerite Duras - biography

“Heterosexuality is dangerous.  It tempts you to aim at a perfect duality of desire.”

“Alcohol doesn’t console, it doesn’t fill up anyone’s psychological gaps, all it replaces is the lack of God.  It doesn’t comfort man.  On the contrary, it encourages him in his folly, it transports him to the supreme regions where he is master of his own destiny.”

“Alcohol is barren.  The words a man speaks in the night of drunkenness fade like the darkness itself at the coming of day.”

“No other human being, no woman, no poem or music, book or painting can replace alcohol in its power to give man the illusion of real creation.”

“When a woman drinks it’s as if an animal were drinking, or a child.  Alcoholism is scandalous in a woman, and a female alcoholic is rare, a serious matter.  It’s a slur on the divine in our nature.”

“It’s afterwards you realize that the feeling of happiness you had with a man didn’t necessarily prove that you loved him.”

“The house a woman creates is a Utopia.  She can’t help it - can’t help trying to interest her nearest and dearest not in happiness itself but in the search for it.”

“I see journalists as the manual workers, the laborers of the word.  Journalism can only be literature when it is passionate.”

“Journalism without a moral position is impossible.  Every journalist is a moralist.  It’s absolutely unavoidable.”

“In love there are no vacations.  No such thing.  Love has to be lived fully with its boredom and all that.”

“You have to be very fond of men.  Very, very fond.  You have to be very fond of them to love them.  Otherwise they’re simply unbearable.”

“It was the men I deceived the most that I loved the most.”

“I believe that always, or almost always, in all childhoods and in all the lives that follow them, the mother represents madness.  Our mothers always remain the strangest, craziest people we’ve ever met.”

“The best way to fill time is to waste it.”

“It’s only women who are not really quite women at all, frivolous women who have no idea, who neglect repairs.”

“Men like women who write.  Even though they don’t say so.  A writer is a foreign country.”

Marguerite Duras directed the following films:
La Musica (1967)

Détruire, dit-elle (1969)
Jaune le soleil (1972)
Nathalie Granger (1972)
La Femme du Gange (1974)
India Song (1975)
Son nom de Venise dans Calcutta désert (1976)
Des journées entières dans les arbres (1976)
Le Camion (1977)
Baxter, Vera Baxter (1977)
Les Mains négatives (1978)
Cesarée (1978)
Le Navire Night (1979)
Aurélia Steiner (Vancouver) (1979)
Aurelia Steiner (Melbourne) (1979)
Agatha et les lectures illimitées (1981)
L’Homme atlantique (1981)
Il Dialogo di Roma (1982)
Les Enfants (1984)

Marguerite Duras scripted the following films:
Hiroshima mon amour (1959)
Le Soleil de Pierre (1959)
Moderato cantabile (1960)
Une aussi longue absence (1961)
L’Itinéraire marin (1963)
Les Rideaux blancs (1965)
Mademoiselle (1966)
10:30 P.M. Summer (1996)
La Voleuse (1966)
La Musica (1967)
Jaune le soleil (1972)
Nathalie Granger (1973)
Ce que savait Morgan (1973)
La Femme du Gange (1974)
India Song (1975)
Son nom de Venise dans Calcutta désert (1976)
Le Camion (1977)
Baxter, Vera Baxter (1977)
Les Mains négatives (1978)
Cesarée (1978)
Le Navire Night (1979)
Aurélia Steiner (Vancouver) (1979)
Aurelia Steiner (Melbourne) (1979)
Agatha et les lectures illimitées (1981)
L’Homme atlantique (1981)
Il Dialogo di Roma (1982)

Marguerite Duras contributed to the screenplay for the following films:
This Angry Age (1958)
Une aussi longue absence (1961)
L’itinéraire marin (1963)
Nuit noire, Calcutta (1964)
Les Rideaux blancs (1965)
10:30 P.M. Summer (1966)
La Voleuse (1966)
Mademoiselle (1966)
The Sailor from Gibraltar (1967)
L’Amant (1992)
Cet amour-là (2001)
L’Après-midi de monsieur Andesmas (2004)
Un Barrage contre le Pacifique (2009)


Marguerite Duras has appeared in the following films:
Écrire (1993)
La Mort du jeune aviateur anglais (1993)