Les Possédés
1988 History / Drama   
Director: Andrzej Wajda
Starring: Isabelle Huppert, Jutta Lampe, Philippine Leroy-Beaulieu, Bernard Blier, Jean-Philippe Écoffey


 
Summary
In 1870, a group of young Russian revolutionaries are planning to overturn the established order and rebuild their country anew.  One of the group, Sjatov, is awaiting the return of an aristocrat, Nicolas Stavroguine, who will takes his place as leader.  By the time Stavroguine arrives, the group have grown suspicious of Sjatov’s loyalty and decide that he must die.

Credits
  • Director: Andrzej Wajda
  • Script: Jean-Claude Carrière, Andrzej Wajda, Agnieszka Holland, Edward Zebrowski, Fyodor Dostoyevsky (novel)
  • Photo: Witold Adamek
  • Music: Zygmunt Konieczny
  • Cast: Isabelle Huppert (Maria Sjatov), Jutta Lampe (Maria Lebjadkin), Philippine Leroy-Beaulieu (Lisa), Bernard Blier (Le gouverneur), Jean-Philippe Écoffey (Peter Verchovenskij), Laurent Malet (Kirillov), Jerzy Radziwilowicz (Sjatov), Omar Sharif (Stepan), Lambert Wilson (Nikolaj Starogin), Philippe Chambon (Chigalev)
  • Country: France
  • Language: French
  • Runtime: 116 min
  • Aka: The Possessed



More French Drama

 

Review
With his film version of Dostoyevsky’s novel The Possessed (a.k.a. The Devils ), leading Polish director Andrzej Wajda attempted what was possibly the biggest challenge of his career – and with limited success.  The power of Dostoyevsky’s work resides in its literary form, perhaps more so than any author, and such writing does not translate easily to film, a fact to which several well-intended film adaptations amply testify.  In a bold project, which took a decade to realise, Wajda sought to capture the essence of the source novel without getting overwhelmed by its mass of detail and heavily intellectualised politics.  The result is in parts impressive but by no means wholly successful.

Although Wajda manages to capture – quite brilliantly – the sense of hysteria and self-deception which is so evident in Dostoyevsky’s writing, he is less successful in weaving a coherent narrative with credible characters.  Stylistically, the film merits the considerable praise – it is beautifully filmed and laden with atmosphere.  Yet the whole thing lacks humanity – surely one of the most apparent, most essential ingredients in Dostoyevsky’s work.  Whether it was the result of having a mixed French/Polish cast or just the impossibility of breathing life into Dostoyevsky’s inordinately complex creations, the characters in this film appear to be mere caricatures or abstract personifications of flawed ideals, not real living beings.  Consequently, it is scarcely surprising that the film fails to engage its audience, even with such an impressive cast (which includes Omar Sharif and Isabelle Huppert).  Nevertheless, whilst the end result is imperfect, Les Possédés is an intriguing film with some powerful messages.  At the very least, Andrzej Wajda should be commended for the vision and tenacity he displayed in adapting one of the most challenging works in Russian literature.

© James Travers 2003



Write a review for this film...

User Comments
How do you rate this film?
   


  Genre:
Decade:
Action     Comedy     Drama     Horror     Musical     Rom-com     Sci-Fi     Thriller     War     The best
1910s     1920s     1930s     1940s     1950s     1960s     1970s     1980s     1990s     2000s    
 


For the latest film releases on DVD...




HOTELS    |    FLIGHTS    |    HOLIDAYS    |    PROPERTY    |    JOBS