Summary
Brigitte de Ledouville is always helping good causes with her personal
financial support. But where does she get all the money
from? With the help of her secretary, Guillaume Lestrange,
she seduces rich admirers and sends them off gently to heaven, having
first appropriated their money. She then buries them under
a flowerbed in her garden. Her next admirer is Maurice Portal,
who, unknown to Brigitte, is a ruined man who borrowed money from two
others crooks...
© Willems Henri (Brussels, Belgium)
© Willems Henri (Brussels, Belgium)
Review
Sometimes a movie will offer the viewer an alternate title (e.g. Juliette ou le clé des songes)
and whilst we are not given this choice here we may be tempted to come
up with Seventh Heaven or Strychnine
and Chanel. Instead of two
old ladies offing gents with nothing to lose and getting their brother
to bury them we are faced with one
drop-dead gorgeous forty year old doing the same thing and allowing a
friend (rather than a brother) to take care of interment. For
good measure there’s also a gangster element in both films.
Even Godard and Truffaut combined couldn’t make Danielle Darrieux look ordinary and this is far too entertaining for either of them to even contemplate. Darrieux was, of course an international success, whereas co-star Noël-Noël was strictly domestic and would be unjustly forgotten even in France by now were it not for the international hit Les Choristes, which was a remake of the 1945 film La Cage aux rossignols (in which with Noël-Noël played the Gérard Jugnot role). Here, he provides a perfect foil for Darrieux.
The gangster takes the form of Gérard Oury, who not only went on to become a fine director but also sired one of the finest French screen writers/directors in Danièle Thompson. As if this wasn’t enough we also have the great Paul Meurisse and, to round things off, an audacious nod to both Prévert and Les Visiteurs du soir in the last shot. A delightful soufflé.
© Leon Nock (London, England) 2010
Write a review for this film...
Even Godard and Truffaut combined couldn’t make Danielle Darrieux look ordinary and this is far too entertaining for either of them to even contemplate. Darrieux was, of course an international success, whereas co-star Noël-Noël was strictly domestic and would be unjustly forgotten even in France by now were it not for the international hit Les Choristes, which was a remake of the 1945 film La Cage aux rossignols (in which with Noël-Noël played the Gérard Jugnot role). Here, he provides a perfect foil for Darrieux.
The gangster takes the form of Gérard Oury, who not only went on to become a fine director but also sired one of the finest French screen writers/directors in Danièle Thompson. As if this wasn’t enough we also have the great Paul Meurisse and, to round things off, an audacious nod to both Prévert and Les Visiteurs du soir in the last shot. A delightful soufflé.
© Leon Nock (London, England) 2010
Write a review for this film...
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Useful links
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- Best of the French New Wave
- Best of French film comedy
- The best 100 French films
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Related links
- The best French comedies
- Other French films of the 1950s
- The best French films of the 1950s
- Other French comedies
- Biography and films of Raymond Bernard
To buy this film
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Credits
- Director: Raymond Bernard
- Script: Jean Bernard-Luc, Raymond Bernard, André Lang (novel)
- Photo: Robert Lefebvre
- Music: Marcel Stern, Jean Wiener
- Cast: Danielle Darrieux (Brigitte de Lédouville), Noël-Noël (Guillaume Lestrange), Paul Meurisse (Manuel Villa), Alberto Sordi (Xavier Laurentis), Gérard Oury (Maurice Portal), André Philip (Le maire), René Berthier, Robert Blome, Pierre Brice (Un joueur), Jean Degrave (Un joueur), Germaine Delbat (Mlle Lindex), Harry-Max (Le maire à Cannes), Bernard Hubrenne, Albert Médina (Le commissaire), Claude Mercutio, Andrée Tainsy (Madame Helier)
- Country: France / Italy
- Language: French
- Runtime: 107 min; B&W
- Aka: Seventh Heaven
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Comedy






