Le Gentleman d'Epsom (1962)
Directed by Gilles Grangier

Comedy / Crime

Film Review

Abstract picture representing Le Gentleman d'Epsom (1962)
Nearly a decade after their appearance together in Georges Lacombe's Leur dernière nuit (1953), Jean Gabin and Madeleine Robinson are reunited in this gentle comic farce from Gilles Grangier, the man who directed Gabin most often (twelve films in total). It was around this time that Gabin began returning to comedy having spent spent most of the past three decades in straight dramatic roles (he began his career in the music hall and his first film roles were in light comedies). Grangier was the ideal director to help with Gabin's comedy rehabilitation, as he had already directed the actor in several films - notably Gas-Oil (1955) and Le Sang à la tête (1956) - and was also a more than capable comedy director.

Whilst there is not much in the way of plot, Le Gentleman d'Epsom is amply sustained by a reasonable supply of good gags, the icing on the cake being a memorable appearance by the comedy giant Louis de Funès, who was about to become a huge star of French cinema. Gabin and de Funès had previously shared an almost legendary scene in Claude Autant-Lara's 1955 film, La Traversée de Paris, and would subsequently share top billing in Denys de La Patellière's 1968 film Le Tatoué, by which time de Funès' popularity had well and truly overtaken Gabin's.
© James Travers 2007
The above content is owned by frenchfilms.org and must not be copied.
Next Gilles Grangier film:
La Cuisine au beurre (1963)

Film Synopsis

Retired military officer Richard Briand-Charmery, known to all as “The Commandant”, gambles every centime he has on horse racing bets.  When his luck is down, he supplies his friends with false betting tips, knowing that the friend whose bet comes off will give him a fraction of the winnings.  One day, Richard meets up with an old flame, Maud, and passes an evening with her at his expense.  To pay the bill for the evening's extravagance, the Commandant tries his scam on a naive restaurateur, Ripeux...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Gilles Grangier
  • Script: Michel Audiard, Gilles Grangier, Albert Simonin
  • Cinematographer: Louis Page
  • Music: Michel Legrand, Francis Lemarque
  • Cast: Jean Gabin (Richard Briand-Charmery), Madeleine Robinson (Maud), Franck Villard (Lucien), Jean Lefebvre (Charly), Jacques Marin (Raoul), Jean Martinelli (Hybert), Joëlle Bernard (Ginette), Aline Bertrand (La patronne du bar), Léonce Corne (Freedman), Marie-Hélène Dasté (Tante Berthe), Albert Dinan (Léon), Paul Faivre (Le vendeur de tickets), Camille Fournier (Thérèse), Paul Mercey (Oscar Robineau), Alexandre Rignault (Charlot), Josée Steiner (Béatrice), Paul Frankeur (Arthur), Louis de Funès (Gaspard Ripeux), Robert Blome (Un joueur), Michel Charrel (Le chanteur russe)
  • Country: France / Italy
  • Language: French
  • Support: Black and White
  • Runtime: 84 min

Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright