La 7ème cible (1984)
Directed by Claude Pinoteau

Drama / Thriller

Film Review

Abstract picture representing La 7eme cible (1984)
Claude Pinoteau directs this well-paced psychological thriller which features an excellent cast headed by the irreplaceable Lino Ventura.  The plot is more complex than usual but the film's familiar neo-noir style and mounting suspense hold the spectator's attention right up until the closing credits.  An impressive solid performance from Ventura (in one of his last film roles) sustains the film's relentlessly oppressive mood, which is relieved only by a few brief moments of humour.  Pinoteau's use of music to create atmosphere is carried to an operatic scale here, with the help of a hugely evocative score from composer Vladimir Cosma.
© James Travers 2004
The above content is owned by frenchfilms.org and must not be copied.
Next Claude Pinoteau film:
L'Étudiante (1988)

Film Synopsis

Bastien Grimaldi, a former journalist now in his fifties, leads a tranquil existence until one night he becomes the victim of three unknown assailants.  After this attack, he begins receiving threatening telephone calls but has no idea who his aggressors are.  Surely no one in his immediate entourage has a grudge against him?  There is Nelly, a very desirable woman whom Bastien once had an affair with - she is now married to Jean, a mild-mannered ventriloquist who couldn't hurt a fly.  Then there is Laura, the daughter of a friend of his who was killed in Cambodia - now a professional violinist, she has come to regard him as an adopted father.  And of course Bastien shouldn't forget his partner Catherine and his authoritarian mother.  Could one of these be behind the attack?

Bastien is at a complete loss to explain why he should suddenly become the target of someone's obvious hatred for him.  After being pursued down a stretch of motorway by someone who obviously means him harm, the ex-reporter has good reason to think his life is in danger.  Unfortunately, the police are just as mystified as he is by these inexplicable - and so far pretty harmless - attempts to unnerve him.  As he pursues his own line of enquiry, Bastien discovers that Laura is mixed up with a German named Hagner who belongs to a dangerous political group.  It seems that Bastien is intended to play a crucial part in a carefully orchestrated assassination in Berlin, where Laura is to perform at a concert...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Claude Pinoteau
  • Script: Jean-Loup Dabadie, Claude Pinoteau
  • Cinematographer: Edmond Séchan
  • Music: Vladimir Cosma
  • Cast: Lino Ventura (Bastien Grimaldi), Lea Massari (Nelly), Jean Poiret (Jean Michelis), Roger Planchon (Le commissaire Paillard), Élisabeth Bourgine (Laura), Béatrice Agenin (Catherine), Jean-Pierre Bacri (L'inspecteur Daniel Esperanza), Robert Hoffmann (Hagner), Michael Morris (Clairbone), Erick Desmarestz (L'inspecteur Buvard), Karol Zuber (Le petit Pierre), Lina Volonghi (La mamma), Annick Alane (Gabrielle), Sylvie Orcier (Mme Bolek), Francis Lemaire (Le conducteur de la R5), Jean-Jacques Moreau (Bolek), Nicolas Silberg (Le flic diapos), Madeleine Barbulée (L'antiquaire aux puces), Vania Vilers (Paul), Janine Souchon (La marchande de chaussures)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 108 min

Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright