Summary
In Spain, the rich and proud Matteo Diaz loves and admires his wife
Maria Teresa, but she is paralysed and so Matteo must look elsewhere
for his pleasures. His wife accepts the situation because she
knows her husband loves her and will always come back to her. One
day, at a Spanish fiesta, Matteo encounters a free spirited young woman
named Eva, the daughter of a French collaborator with the Germans in
WWII. Matteo is violently drawn to Eva but she refuses to start
an affair with him because he is too beautiful, too rich and represents
everything she hates. She will only give herself completely to
him on the day he loses his fortune, his wife and his honour...
© Willems Henri (Brussels, Belgium)
© Willems Henri (Brussels, Belgium)
Review
La Femme et le Pantin is
Julien Duvivier’s spirited but ultimately doomed attempt to update
Pierre Louÿs’s raunchy erotic novel of 1898. It is a
minor footnote in the career of the great director but illustrates his
determination to try to keep up with the times and defy his critics,
many of whom would become leading directors of the French New Wave.
In the transposition of the story to modern day Spain, something clearly goes awry. The end result is little more than a tepid and somewhat aimless melodrama, lacking in passion and with characters that barely rise above the level of two dimensional caricatures. This notwithstanding, Brigitte Bardot was an ideal casting choice for the lead female role. Since here revelation in Roger Vadim’s groundbreaking Et Dieu... créa la femme three years earlier, Bardot had come to symbolise the modern woman, beautiful and intelligent, aware of the power of her sexuality and not afraid to flaunt it. She is, however, pretty well wasted on this film which, whilst beautifully shot, fails to leave a lasting impression.
Write a review for this film...
In the transposition of the story to modern day Spain, something clearly goes awry. The end result is little more than a tepid and somewhat aimless melodrama, lacking in passion and with characters that barely rise above the level of two dimensional caricatures. This notwithstanding, Brigitte Bardot was an ideal casting choice for the lead female role. Since here revelation in Roger Vadim’s groundbreaking Et Dieu... créa la femme three years earlier, Bardot had come to symbolise the modern woman, beautiful and intelligent, aware of the power of her sexuality and not afraid to flaunt it. She is, however, pretty well wasted on this film which, whilst beautifully shot, fails to leave a lasting impression.
Write a review for this film...
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Useful links
- Best French films of 2011
- Best French films of the 2000s
- Best of the French New Wave
- Best of French film comedy
- The best 100 French films
- The most successful French films
- Great French filmmakers
Related links
- The best French romantic films
- Other French films of the 1950s
- The best French films of the 1950s
- Other French romantic films
- Biography and films of Julien Duvivier
To buy this film
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Credits
- Director: Julien Duvivier
- Script: Marcel Achard, Jean Aurenche, Julien Duvivier, Pierre Louÿs (novel), Albert Valentin
- Photo: Roger Hubert
- Music: José Rocca, Jean Wiener
- Cast: Brigitte Bardot (Eva), Betty Beckers, Denise Carvenne, Espanita Cortez (Maria-Teresa), Claude Godard (Mercedes), Jess Hahn (Sidney), Daniel Ivernel (Berthier), Lila Kedrova (Manuela), Jacques Mauclair (Stanislas Marchand), Anne-Marie Mersen, Germaine Michel (Woman in car), Darío Moreno (Arbadajian), Cadet Rivers (Man in car), Michel Roux (Albert), Antonio Vilar (Don Matteo)
- Country: France
- Language: French
- Runtime: 98 min
- Aka: A Woman Like Satan; The Female
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Drama / Romance






