Summary
Julian, 25, and Louis, 12, are two brothers who work and live on a
barge in the centre of Paris. They transport gravel and resort to
petty crime to make ends meet. They have grown up alone and now
they are inseparable, wedded to a life on the river. A
receiver of stolen goods offers them the opportunity of a lifetime, to
steal a painting by Manet from the Musée d'Orsay. Louis
takes charge of the theft and, against the odds, he succeeds in
removing it from the gallery and taking it aboard his
barge. Rosalie, a museum guard, follows Louis to his home
and confronts him. After a fight, the two brothers secure
Rosalie in the hold of their boat and make a quick getaway.
Later, Rosalie emerges from her hidey hole and makes the brothers an
unexpected offer...
Review
Director Manuel Pradal still has yet live up to the promise of his
first notable film, Marie baie des
anges (1997). Pradal’s latest offering, La Blonde aux seins nus, feels like
an all too obvious attempt to recapture the brooding eroticism of that
film but fails to be much more than an extremely poor relation.
Pradal’s mise-en-scène lacks the finesse of his early work and
pretty well chokes the life out of this water-based road movie. The
painfully contrived scenario does not help matters much either.
The only thing going for this film are the contributions from the three lead actors. Vahina Giocante is an enigmatic object of desire, mysterious and sensual as the thoroughly modern femme fatale. As eye-catching as Giocante is however it is her male co-stars, Nicolas Duvauchelle and Steve Le Roi, who claim the film as their own. Despite some absolutely risible dialogue, both actors succeed in making their characters and their predicament believable. Had Pradal been more restrained and focussed in his writing and direction, this could have been an extremely powerful portrayal of sibling conflict. Instead, it feels aimless and confused, mechanically directed and scripted with no real conviction or appreciation of how human beings communicate with one another in the real world. A sad misfire.
© filmsdefrance.com 2010
Write a review for this film...
The only thing going for this film are the contributions from the three lead actors. Vahina Giocante is an enigmatic object of desire, mysterious and sensual as the thoroughly modern femme fatale. As eye-catching as Giocante is however it is her male co-stars, Nicolas Duvauchelle and Steve Le Roi, who claim the film as their own. Despite some absolutely risible dialogue, both actors succeed in making their characters and their predicament believable. Had Pradal been more restrained and focussed in his writing and direction, this could have been an extremely powerful portrayal of sibling conflict. Instead, it feels aimless and confused, mechanically directed and scripted with no real conviction or appreciation of how human beings communicate with one another in the real world. A sad misfire.
© filmsdefrance.com 2010
Write a review for this film...
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Useful links
- Best French films of 2011
- Best French films of the 2000s
- Best of the French New Wave
- Best of French film comedy
- The best 100 French films
- The most successful French films
- Great French filmmakers
Related links
- The best French romantic films
- Other French films of the 2010s
- The best French films of the 2010s
- Other French romantic films
- Biography and films of Manuel Pradal
To buy this film
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Credits
- Director: Manuel Pradal
- Script: Manuel Pradal
- Photo: Hugues Espinasse
- Cast: Nicolas Duvauchelle (Julien), Vahina Giocante (Rosalie), Tomasz Kowalski (Polonais), Steve Le Roi (Louis)
- Country: France
- Language: French
- Runtime: 110 min
- Aka: The Blonde with Bare Breasts
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Drama / Romance






