Summary
Lionel Fribourg is a musician who is desperate to compose his own
symphony. For that reason, he needs peace and quiet, but his
Parisian apartment is so noisy that it is impossible for him to write a
single note. By pure coincidence, he meets Agnès, a woman
who lives alone in a big house in the country. They start a
relationship and Lionel quickly realises that her peaceful house would
be perfect for him. However, there is a problem.
Agnès’s father, Monsieur Devillard, intends to come and live
with her. The man is a carpenter and his only interest is in
making boats, which he does very noisily. When Lionel pays
Devillard a visit, he realise that the man doesn’t like him and will be
his eternal enemy. So why should he not kill him? Alas,
this will only be the first in a series of murders...
© Willems Henri (Brussels, Belgium)
© Willems Henri (Brussels, Belgium)
Review
Like other film directors who started their careers in the late 1930s,
Pierre Chenal had to change with the times, and dark films like L’Homme de nulle part, L’Alibi
and La Foire aux chimères
made way for the crime dramas of the 1950s and 60s, films like Rafles sur la ville, Les Jeux dangereux and La Bête à l’affût.
For his penultimate film, Chenal was inspired by Fred Kassak’s novel A Cottage and a Murder.
Transformed into a fine black and white crime-comedy, the film is not
representative of Chenal’s filmography.
We see the great Paul Meurisse perfectly cast as ’the murderer who knows the score’. Meurisse, who was considered the most snobbish actor at the time, plays a character who is seriously funny, with a cynical twist, and will do it several times between 1962 and 1965. The choice of German actress Maria Schell to play an Alsatian woman is totally obvious. Maria, sister of the actor Maximilian Schell, was also perfectly capable of handling a role in French, as she showed in such diverse films as Napoléon, Gervaise, Une vie and Le Diable par la queue. It is also worth mentioning the presence of two other marvellous actors in second roles: Noël Roquevert and Jacques Dufilho No wonder the film gets a 3 star rating and can be found on DVD.
© Willems Henri (Brussels, Belgium) 2012
Write a review for this film...
We see the great Paul Meurisse perfectly cast as ’the murderer who knows the score’. Meurisse, who was considered the most snobbish actor at the time, plays a character who is seriously funny, with a cynical twist, and will do it several times between 1962 and 1965. The choice of German actress Maria Schell to play an Alsatian woman is totally obvious. Maria, sister of the actor Maximilian Schell, was also perfectly capable of handling a role in French, as she showed in such diverse films as Napoléon, Gervaise, Une vie and Le Diable par la queue. It is also worth mentioning the presence of two other marvellous actors in second roles: Noël Roquevert and Jacques Dufilho No wonder the film gets a 3 star rating and can be found on DVD.
© Willems Henri (Brussels, Belgium) 2012
Write a review for this film...
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Useful links
- Best French films of 2011
- Best French films of the 2000s
- Best of the French New Wave
- Best of French film comedy
- The best 100 French films
- The most successful French films
- Great French filmmakers
Related links
- The best French comedies
- Other French films of the 1960s
- The best French films of the 1960s
- Other French comedies
- Biography and films of Pierre Chenal
To buy this film
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Credits
- Director: Pierre Chenal
- Script: Pierre Chenal, Fred Kassak, Fred Kassak (novel)
- Photo: Marc Fossard
- Music: Paul Misraki
- Cast: Maria Schell (Agnès Duvillard), Paul Meurisse (Lionel Fribourg), Sylvie Bréal (Marie-Josée Fribourg), Yvonne Clech (Graziella, la veuve), Fernand Guiot (Le commissaire), Christa Lang (Christine), Jacques Dufilho (Le docteur Hublot), Noël Roquevert (Le père Devillard), Claude Mann (Francis), Ray Ventura (Le chef d’orchestre)
- Country: France
- Language: French
- Runtime: 90 min; B&W
- Aka: The Murderer Knows the Score
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- L’Emmerdeur (1973)
- L’Homme de Rio (1964)
- Ne nous fâchons pas (1966)
- Nuits rouges (1974)
- Pierrot le fou (1965)
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Crime / Comedy


