L’Amour existe (1960) - film review

The social upheaval following World War II is reflected in the changes in architecture and living accommodation in and around Paris.  Increasing commercialisation and mechanisation have robbed the Parisians of their individuality and liberty, something which is apparent in the featureless buildings which are progressively eroding the city’s romantic identity.

Maurice Pialat’s first film is this remarkably perceptive pseudo-documentary which, in retrospect, was way ahead of its time.  The film evokes the concerns which would preoccupy his contemporary New Wave film directories (most notably Jean-Luc Godard), such as the cost to the individual of living in an increasingly commercialised world.

The film is both accurate yet satirical in its presentation, capturing the social change whilst delivering an intensely personal message, with Pialat’s customary tongue-in-cheek wit.  The poignant shots of the featureless high-rised living quarters housing the less well off (who apparently have no appreciation of beauty) makes a powerful condemnation of modern architecture and social engineering.  The homely images of a comfortable suburban life appear equally tragic, with its mindless routine and uniformity.

© James Travers 2001

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