Je reste!
2003 Comedy / Romance   
 
Credits
  • Director: Diane Kurys
  • Script: Florence Quentin
  • Photo: Robert Alazraki
  • Music: Paolo Buonvino
  • Cast: Sophie Marceau (Marie-Dominique Delpire), Vincent Perez (Bertrand Delpire), Charles Berling (Antoine), Pascale Roberts (Mamyvonne, la mère de Marie-Do), François Perrot (J.C.), Hardy Krüger Jr. (John), Colette Maire (Geneviève), Sasha Alliel (Antoine, le fils), Jean-Claude de Goros (Le père de Marie-Do), Jacques Duby (Le voisin du dessous), Marie-France Mignal (La voisine du dessous), Sébastien Haddouk (Alvaro), Jean Dell (Carcassonne), Emmanuel Quatra (Benoît), Laurent Bateau (Bansart)
  • Country: France
  • Language: French
  • Runtime: 102 min
  • Aka: I'm Staying!
 
 
 
Summary
Marie-Do and Bertrand have been married for 15 years. They have a young son and appear to be the model couple.  But, for Marie-Do, the strain of pandering to her self-centred, cycling-obsessed husband is starting to show.  Then she meets Antoine, a lonely scriptwriter who, unlike Bertrand, shows her respect and understanding.  Finally driven to distraction by her husband’s addiction to bicycles and Brel, Marie-Do announces her decision to separate and start a new life with Antoine.  Unfortunately, Bertrand has no intention of leaving her apartment…

Review
Je reste! marks something of a departure for director Diane Kurys, a light-hearted satire of married life, contrasting with her earlier realistic dramas.  Whilst it certainly does not have the originality and impact of Kurys’ better films – and the tabloid vulgarity may disappoint many of the director’s fans – Je reste! does have great entertainment value and, in many ways, is acutely spot-on in its depiction of a faltering relationship.   Sophie Marceau shows an unexpected flair for comedy (which doubtless other directors will now be keen to exploit), but it is Vincent Pérez as the “hubbie from Hell” who gives the biggest laughs.  The one thing that does let the film down is its idiotic denouement (or, rather, series of denouements) where you can hear the screenwriter screaming out loud: "Help! I can't work out how to end this story!" It’s a good example of where it pays to leave the cinema five minutes before the credits roll and invent your own ending.

© James Travers 2006


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