Summary
On Friday 13th June, some time in the late 1970s, a group of young
people are busy renovating an old camp site which is due to be
reopened. The site has been closed for twenty years, after a
brutal double killing that took place in 1957. A local resident,
Ralph, warns Annie, who is on her way to the camp to work as the cook,
that the place is cursed and that all who go there are doomed to
die. Not long afterwards, Annie is hacked to death by a kind soul
who offers her a lift. That evening, the camp’s owner, Steve
Christy, sets off to get some supplies, just before a storm whips
up. His young helpers take sanctuary in their cabins, unaware
that a killer is stalking the camp. Each one of them appears to
be destined for a grisly death, just as old Ralph predicted...
Review
An all too obvious attempt to capitalise on the success of John
Carpenter’s Halloween (1978), Friday the 13th doesn’t quite make
the premier league of horror movies but certainly deserves its status
as a classic of the slasher sub-genre. With a score that
references Hitchcock’s Psycho (1960) in every other
scene and point-of-view camerawork that closely imitates that of Halloween, you can’t help wondering whether
the film has anything original to offer, other than a slightly more interesting way
to play Monopoly...
However, when you compare this with the numerous slasher movies that followed (including the ten sequels to this film), the artistic strengths of Friday the 13th become readily apparent. The atmospheric cinematography and slowly building tension, which is ratcheted up a notch with every successive killing, offer a darkly compelling viewing experience. The pay off is a spectacularly well realised denouement (which provides the film’s biggest surprise: the identity of the killer) and very sinister epilogue (which gave birth to the sequels).
Although the film was generally badly received by the critics on its initial release, Friday the 13th proved to be an immediate box office hit. It ultimately grossed over 60 million dollars on its first international run, making it one of the most successful horror films of all time – not bad going when you consider that it was made on a budget of around half a million dollars. The film’s sequels proved to be almost as popular, even if these were pretty well a rehash of the original film and are generally less well regarded.
In common with Halloween, there is an innocence and raw simplicity to Friday the 13th which makes it extraordinarily effective, and it still manages to send a chill down the spine three decades after it was first seen. What is most frightening about this film is not the gruesome way in which the protagonists are despatched, but the sustained impression that no matter where the camera strays evil lurks just a few footsteps away. You come away from the film half-believing that the space you inhabit is infected with a ghostly malice, a conscious demonic power that feels ready to rip you apart. Or maybe that’s just the popcorn I ate.
However, when you compare this with the numerous slasher movies that followed (including the ten sequels to this film), the artistic strengths of Friday the 13th become readily apparent. The atmospheric cinematography and slowly building tension, which is ratcheted up a notch with every successive killing, offer a darkly compelling viewing experience. The pay off is a spectacularly well realised denouement (which provides the film’s biggest surprise: the identity of the killer) and very sinister epilogue (which gave birth to the sequels).
Although the film was generally badly received by the critics on its initial release, Friday the 13th proved to be an immediate box office hit. It ultimately grossed over 60 million dollars on its first international run, making it one of the most successful horror films of all time – not bad going when you consider that it was made on a budget of around half a million dollars. The film’s sequels proved to be almost as popular, even if these were pretty well a rehash of the original film and are generally less well regarded.
In common with Halloween, there is an innocence and raw simplicity to Friday the 13th which makes it extraordinarily effective, and it still manages to send a chill down the spine three decades after it was first seen. What is most frightening about this film is not the gruesome way in which the protagonists are despatched, but the sustained impression that no matter where the camera strays evil lurks just a few footsteps away. You come away from the film half-believing that the space you inhabit is infected with a ghostly malice, a conscious demonic power that feels ready to rip you apart. Or maybe that’s just the popcorn I ate.
© filmsdefrance.com 2009
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Credits
- Director: Sean S. Cunningham
- Script: Sean S. Cunningham
- Photo: Barry Abrams
- Music: Harry Manfredini
- Cast: Betsy Palmer (Mrs. Voorhees), Adrienne King (Alice), Jeannine Taylor (Marcie), Robbi Morgan (Annie), Kevin Bacon (Jack), Harry Crosby (Bill), Laurie Bartram (Brenda), Mark Nelson (Ned), Peter Brouwer (Steve Christy), Rex Everhart (The Truck Driver), Ronn Carroll (Sgt. Tierney), Ron Millkie (Officer Dorf), Walt Gorney (Crazy Ralph), Willie Adams (Barry), Debra S. Hayes (Claudette), Dorothy Kobs (Trudy), Sally Anne Golden (Sandy), Mary Rocco (Operator), Ken L. Parker (Doctor), Ari Lehman (Jason), Noel Cunningham (Boy in 1958 Camping Circle), Irwin Keyes (Busboy)
- Country: USA
- Language: English
- Runtime: 95 min
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- Halloween (1978)
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Horror / Thriller






