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Overview
Coluche, l’histoire d’un mec is a French film comedy-drama first released in 2008,
directed by Antoine de Caunes.
The film stars François-Xavier Demaison, Léa Drucker, Olivier Gourmet, Laurent Bateau and Jean-Pierre Martins.
Our overall rating for this film is: mediocre.
Synopsis
In 1980, Coluche is one of the most popular comic performers in
France. He attracts the size of audience other comedians can only
dream of, be it on stage, on television or on the radio. Often,
his distinctive comedy has an acute political slant – he lampoons
politicians and the inability of France to resolve its social
problems. One day, a friend of his suggests that he should go
into politics. Coluche accepts the challenge readily and, to the
astonishment of everyone, he puts himself forward as a candidate in the
up and coming French presidential elections. Even he is surprised
at the level of support he receives from ordinary French people.
He might even end up winning...
Film Review
The main shortcoming of this well-intended but ultimately vacuous
account of Coluche’s participation in the 1981 French presidential
election is that it fails spectacularly to shed any light on the
complex character of its central protagonist. Rather, it
appears happy to reduce Coluche to a simplistic caricature that is not
far-removed from his stage persona. This is not to fault
François-Xavier Demaison’s creditable portrayal of the great
humorist, which if nothing else is as good an imitation as we can
expect. Instead, the fault lies with Diastème’s shallow
hotchpotch of a screenplay and Antoine de Caunes’s painfully
self-conscious direction, which together virtually strangle the interest value
out of a fascinating episode in French politics and prevent us from
getting anywhere near the man who was at the heart of it. The
film’s ugly cinema-vérité-lite design was presumably
intended to give it a documentary feel but this just provides another
barrier between the spectator and the film’s subject. Coluche, l’histoire d’un mec lacks
both narrative coherence and character depth, and is a pretty soulless
endeavour - a vulgar and lacklustre tribute to the man it depicts.
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Credits
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