|
|
|
Abwege
1928 Drama / Romance
| |
Credits
-
Director: Georg Wilhelm Pabst
-
Script: Franz Schulz, Adolf Lantz, Ladislaus Vajda, Helen Gosewish
-
Photo: Theodor Sparkuhl
-
Music: Elena Kats-Chernin, Werner Schmidt-Boelcke
-
Cast: Gustav Diessl (Thomas Beck,
Rechtsanwalt),
Brigitte Helm (Irene Beck,
seine Frau),
Hertha von Walther (Liane,
ihre Freundin),
Jack Trevor (Walter Frank,
Maler),
Fritz Odemar (Möller,
Regierungsrat),
Nico Turoff (Sam Taylor,
Boxer),
Ilse Bachmann (Anita Haldern),
Richard Sora (André),
Peter Leschka (Robert),
Irm Cherry (Daisy),
Irma Green (Gina)
-
Country: Germany
-
Language: German
-
Runtime: 98 min; B&W; silent
-
Aka: Crisis; Desire; The Devious Path
|
|
|
|
| |
Summary
Neglected by her workaholic husband Thomas, Irene Beck plans to elope with her secret
admirer, the artist Walter Frank. When Thomas, a respected lawyer, manages to thwart
this scheme, Irene takes her revenge by slipping away one evening to a debauched Berlin
nightclub. Influenced by drugs and drink, she succumbs to the earthy charms of a
young boxer. When this new life promises her so much, can she ever return to her
old life of staid respectability?
Review
This film, in which Brigitte Helm gives a daringly realistic portrayal of a sexually frustrated
bourgeois wife, evoked great controversy when it was released in 1928. It is unusual
in at least two respects. Firstly, it explores the feelings of its central characters
with unprecedented psychological depth, effectively contrasting their intense inner moods
with the superficial world in which they live, reflecting a struggle between desire and
security, freedom and stability. Secondly, it uses a voyeuristic style of camera
work which, although used by many directors since, was virtually unknown in the silent
era. This cinematographic approach emphasises the conflict in Irene’s mind between
the inner and outer world, between thoughts of primal lust and reasoned awareness of social
conventions.
Although the film doesn’t quite have the impact and dramatic cohesion of some of
Pabst’s later films, it has a great deal to commend it. There’s Helm’s commanding
performance of a woman visibly tortured by her ferocious sexual urge, a set piece scene
in a night club which conveys the decadence and moral decay of German society in the late
1920s, and some exquisitely beautiful photography which is subtly influenced by the expressionistic
style. That the film is far less well known than Pabst’s other work is down to the
fact that one reel of the original film was lost. Recently, the film has been meticulously
restored, using a surviving French print of poor quality.
© James Travers 2007
Buy DVDs of World Cinema masterpieces...
|
|
|
|
|
